Inna Etuvgi - Inside the Drop + passepartout
Nr. 84036777
Inna Etuvgi - When We Said "Yes!" + passepartout
Nr. 84036777
Inna Etuvgi - When We Said "Yes!" + passepartout
'WHEN WE SAID "YES!"' is a macro photograph of Cladonia pyxidata lichens adorned with drops of dew, captured by art photographer Inna Etuvgi in the forest of Huskvarna in Sweden.
"As an photographer who grew up in the far north, my heart resonates with the delicate beauty of mosses and lichens. Often overlooked, these underrated masterpieces of nature play pivotal roles in our ecosystem. Through my lens, I capture their intricate details, turning them into collectible prints, revealing the art of nature that speaks volumes about the value of these tiny heroes.
This photograph speaks about lichens as a bright testament to synergy. Emerging from the symbiotic relationship between fungus and algae, lichens develop abilities that allow them to thrive when many others cannot.
It is the same when, in communication, both sides say "yes" to each other, creating a system when 1+1 is greater than 2!
And isn't it about a family where partners love and respect each other? This is what I capture in this photo of Cladonias—the moment when two say yes to each other."
ABOUT THE PRINT:
Gicleè museum-quality print, Hahnemuehle Photo Rag fine art paper + COA
Image size 21x28cm
Limited edition 5 of 25
The print is installed in Ph-neutral passepartout (30x40cm) + backing and ready for framing
Signed, numbered, and printed by the author
ABOUT THE AUTHOR:
Inna Etuvgi, hailing from Russia's Arctic shores, brings her technical background to light as a Swedish art photographer. Her artistic journey began in 2020, and in 2022, she gained recognition as a finalist in the Arte Laguna Prize 16. In 2023, she received an honour from the Swedish Arts Grants Committee. Etuvgi’s works are featured in “Photography in the Visual Culture” 22/23 book.
Navigating life with Aphantasia, Inna's mind doesn't visualise, but it pulsates with vivid concepts, emotions, and sensations. She uses her camera not merely to explore the world but to externalise her unique mental landscapes, making them visible.
Art critic Tabish Khan says about Inna’s art: “her work is about transporting us to other worlds - both real and imaginary, but always in harmony with nature. She may have a mind blind to visualisation, but she has eyes and a camera that capture the beauty in the worlds that the rest of us often overlook and take for granted.”
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