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Ruth Garrido Vila

The piece presented is a sculptural fragment Leg, base of a Sculpture of Aesculapius," a marble work from the Roman Empire, dating to the High Imperial Period (1st - 2nd Century A.D.). Fragments of this type, far from being considered mere remains, are fundamental vestiges for the historical and artistic reconstruction of the classical past. The sculpture measures 54 cm high, 18 cm wide, and 23 cm deep, and is in an excellent state of preservation, which is remarkable considering its age and the archaeological context in which it was likely found.

The work represents the lower part of a male figure, carved from high-quality marble. Part of the right leg and foot are preserved, delineated with highly precise anatomical modelling, typical of Roman naturalism inherited from Greek classicism. The detailed treatment of the musculature and the tension of the leg denote the pursuit of corporal idealisation characteristic of imperial Roman sculpture, strongly influenced by Hellenistic models. The surface displays smooth transitions between forms and remarkable technical skill, demonstrating the skill of Roman sculptural workshops.

The most significant aspect of this work is its function as the base of a complete sculpture of Aesculapius, the god of medicine and healing in Greco-Roman mythology. Aesculapius was usually depicted as a mature, bearded man, carrying a staff around which a snake coils, a symbol still prevalent in modern medicine. The base of the sculpture features a partially preserved relief decoration simulating waves and scrolls, suggesting the presence of a trunk or plant elements, quite possibly a reference to Aesculapius's staff. This detail directly connects the work with its traditional iconography.

The back and sides of the base show tool marks, indicating that the piece was intended to be viewed solely from a frontal angle, reinforcing its architectural or monumental character, possibly in a temple, sanctuary, or public space linked to healing, such as the famous Asclepeion, centres of worship and medical treatment widespread throughout the Greco-Roman world.

Comparatively, similar fragments are found in the National Roman Museum in Rome and the Louvre Museum, where the bases and sculptural remains of Aesculapius are analysed not only as aesthetic objects but also as material evidence of Roman religious syncretism, which integrated Greek divinities into its official pantheon.

The discovery and preservation of this sculptural base offers a valuable contribution to the study of Roman sculpture from the imperial period, providing clues to the sculptural techniques, materials used, and devotional practices. The piece can be seen as a bridge between the formal perfection of classical Greek sculpture and the propagandist monumental of Roman art.

Acquired from a Spanish private collection, R.V.A in 2021, before G.B in the 80's.
-The piece includes an authenticity certificate as well as Spanish Export License (Passport for European Union). 
 
IMPORTANT: Due to the new laws on the export of archaeological pieces, we have decided to NO LONGER sell outside the European territory for the following countries: SWITZERLAND & UNITED STATES of AMERICA.

FOR OTHER DESTINATIONS OUT OF European territory: all our items will be shipped after obtaining a definitive license exportation by the Ministry of Culture of Spain. We inform our clients that it may take between 4-8 weeks. According to Spanish legislation, items sent outside the European Union are subjected to export taxes. The taxes will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price, and the tax rate is not applied directly to the total value of the item to be exported, but rather the different percentages by sections are applied to it:
Up to 6,000 euros: 5%. / From 6.001 to 60.000 euros: 10 %.

Please note that for far destination (Asia, middle east etc.. ), there will be an additional cost for insurance and shipping.  


High Imperial (1st - 2nd Century A.D.)

Det antikke Rom marmorbenfragment, base af en skulptur af Æskulap med spansk eksportlicens - 54 cm

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fremragende stand

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2020+

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1960-1970

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Stil

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Fotorealisme

Moderne

Impressionistisk

Teknik

Digitaltryk

Giclée

Gelatine-sølv tryk

C-print

Fotolitografi

Andet

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Albumen Tryk

Gelatin-sølvtryk (PE)

Signatur

Håndunderskrevet

Ikke signeret

Stemplet

Plade underskrevet

Bind

Softback

Udgave

Begrænset udgave

1. udgave i dette format

Sprog

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1900-2000

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Elena Paraskeva

Helmut Newton (1920–2004)

Ben Dauchez

Alberto Korda (1928–2001)

Frank Machalowski

Stefanie Schneider

Viet Ha Tran

Roberto Cavalli

Bert Stern (1929–2013)

Tessa Posthuma de Boer

Téber

Arnold Mariashin

Fabian Kimmel

Inna Etuvgi

Dominik Valvo

Alina Lebedeva

Franco Turcati

Lida Khaykara

fbArt

Jorge Omeñaca

Bess Irissa

Rudy barret

Agathe Toman

Andre Lichtenberg

Govert de Roos

Skaber

Bob Dylan

Andet - Ikke signeret - Chanel - 1996

Karl Lagerfeld (1933–2019) - collection croisiere 1996-1997

Gelatine-sølv tryk - 2/30

Patrick Siccoli - Alain Delon, Paris

Gelatine-sølv tryk - Signeret

Bruno Sorlini - (4x) Venice, 1995

Gelatine-sølv tryk - 2/20

Jean-Pierre Fizet (1942–2018) - Catherine Deneuve

C-print - Håndunderskrevet - 1/8

Daniel Cande - Niki de Saint Phalle

C-print - 6/30

Patrick Siccoli - Paul Newman "24H du Mans", 1979.

Gelatine-sølv tryk - Signeret - Vintage sort-hvid autentisk mørkekammerprint - 1985

Michael Joseph (1941-) - En route to a shoot - immortalised instant

Gelatine-sølv tryk - Stemplet - 1959

Alberto Korda (1928–2001) - XXL Unseen Private Fidel Castro Revolution Close-Up Cuban Commander, 1959

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Det antikke Rom marmorbenfragment, base af en skulptur af Æskulap med spansk eksportlicens - 54 cm

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