Original Holzschnitt - Papier - Utagawa Yoshiiku (1833-1904) - China (Nankin) and France - From the series 'Pictures of People from Foreign Lands' - Japan - 1861 (Bunkyū 1)
Nr. 82523443
Original Holzschnitt - Papier - Utagawa Hiroshige II (1826-1869) - Red Maple Leaves at Kaian-ji Temple – From the series "Thirty-six Views of the Eastern Capital" - Japan - ca. 1862 (Bunkyū 2)
Nr. 82523443
Original Holzschnitt - Papier - Utagawa Hiroshige II (1826-1869) - Red Maple Leaves at Kaian-ji Temple – From the series "Thirty-six Views of the Eastern Capital" - Japan - ca. 1862 (Bunkyū 2)
Original woodblock print – Paper – Utagawa Hiroshige II (1826-1869) -Kaiandera Kouyou海案寺 紅葉 – From the series “Edo meisho” 東都三十六景 (Famous Places in Edo) – Japan – 1862 (bunkyu 2)
Clam digging in the Edo period was a popular play for people at that time. When the time came, many people were clamming on the tidal flats.
The first Hiroshige, II Hiroshige, and III Hiroshige drew many ukiyo-e prints on the theme of clamming
Utagawa Shigenobu is name ‘hiroshige e’ 広重画” in his signature.
See Museum of Fine Arts, Boston: https://collections.mfa.org/objects/237772
(memo)
He joined Utagawa school master HiroshigeI’s studio and become one of the master’s students.
His surname is Suzuki(鈴木) and then Morita(森田), and his first name is Zhenpei(鎮平).first mname(重宣)
he took on Utagawa as a surname, and also used the surname (一幽斎)Ichiyūsai、(一立斎) ichiryūsai、(立斎)rissai、(立祥)ritsu Shō、(喜斎)kissai ,as an art name.
It became famous to draw illustrations on tea boxes for export
It was called Tea Box Hiroshige.
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