Ne ([Hour of the] Rat) / Mitate juni toki no uchi (Parody of the Twelve Hours) - 1875 - Toyohara Kunichika (1835-1900) - Ιαπωνία - Edo Period (1600-1868)
Αρ. 83122769
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Scene from the kabuki play 'Atari Kuji Mansei Soga' 当九字万成曽我 - 1867 - Toyohara Kunichika (1835-1900) - Ιαπωνία - Edo Period (1600-1868)
Good/fair condition.
Triptych, join together.
See Museum of Fine Arts, Boston: https://collections.mfa.org/objects/472839
Author:
Toyohara Kunichika (Japanese: 豊原 国周; 30 June 1835 – 1 July 1900) was a Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of yakusha-e, which are woodblock prints of kabuki actors and scenes from popular plays of the time.
An alcoholic and womanizer, Kunichika also portrayed women deemed beautiful (bijinga), contemporary social life, and a few landscapes and historical scenes. He worked successfully in the Edo period, and carried those traditions into the Meiji period. To his contemporaries and now to some modern art historians, this has been seen as a significant achievement during a transitional period of great social and political change in Japan's history.
Αρ. 83122769
Δεν είναι πλέον διαθέσιμο
Scene from the kabuki play 'Atari Kuji Mansei Soga' 当九字万成曽我 - 1867 - Toyohara Kunichika (1835-1900) - Ιαπωνία - Edo Period (1600-1868)
Good/fair condition.
Triptych, join together.
See Museum of Fine Arts, Boston: https://collections.mfa.org/objects/472839
Author:
Toyohara Kunichika (Japanese: 豊原 国周; 30 June 1835 – 1 July 1900) was a Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of yakusha-e, which are woodblock prints of kabuki actors and scenes from popular plays of the time.
An alcoholic and womanizer, Kunichika also portrayed women deemed beautiful (bijinga), contemporary social life, and a few landscapes and historical scenes. He worked successfully in the Edo period, and carried those traditions into the Meiji period. To his contemporaries and now to some modern art historians, this has been seen as a significant achievement during a transitional period of great social and political change in Japan's history.
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