From the series “Takehisa Yumeji hangashu” 竹久夢二版画集 (Collection of Prints by Takehisa Yumeji”) - Takehisa Yumeji (1884-1934) - Ιαπωνία
Αρ. 83296435
Αντικείμενα που πωλήθηκαν
Τελική προσφορά
€ 75
πριν 4 εβδομάδες
'Yoshiwara rōchū-zu' 吉原楼中図 (Inside the Yoshiwara mansion) - Shōwa period - Katsushika Hokusai (1760-1849) - Ιαπωνία
Woodblock prints (reprint) - Paper - Katsushika Hokusai (1760-1849) ”Yoshiwara rōchū-zu”吉原楼中図 Inside the Yoshiwara mansion- Japan - Showa period
Technique: woodblock print
See Art Institute of Chicago: https://www.artic.edu/artworks/21804/new-year-s-day-at-ogi-ya-brothel
Katsushika Hokusai has become one of the most influential artists of Japan,inspiring such famous painters as Van Gogh etc..When Hokusai was 70-years-old and at the peak of his career,he began work on a series of woodblock prints.These prints became known as Thirty-six Views of Mt.Fuji.
The focus of the print is a large boat,the prow of which cuts diagonally through the center of the composition.The otherwise still evening is disturbed by a man washing rice;the cast-off water startles two herons,which fly toward the left edge of the print.The scene is accomplished predominantly in imported Prussian blue,with pale accents of tan and green.Also known as Berlin blue,this color was so popular in the 1830s that the publisher Eijudö originally intended to use it for every key block in the Thirty-six Views of Mount Fuji series,instead of the normal black.
Αρ. 83296435
Αντικείμενα που πωλήθηκαν
'Yoshiwara rōchū-zu' 吉原楼中図 (Inside the Yoshiwara mansion) - Shōwa period - Katsushika Hokusai (1760-1849) - Ιαπωνία
Woodblock prints (reprint) - Paper - Katsushika Hokusai (1760-1849) ”Yoshiwara rōchū-zu”吉原楼中図 Inside the Yoshiwara mansion- Japan - Showa period
Technique: woodblock print
See Art Institute of Chicago: https://www.artic.edu/artworks/21804/new-year-s-day-at-ogi-ya-brothel
Katsushika Hokusai has become one of the most influential artists of Japan,inspiring such famous painters as Van Gogh etc..When Hokusai was 70-years-old and at the peak of his career,he began work on a series of woodblock prints.These prints became known as Thirty-six Views of Mt.Fuji.
The focus of the print is a large boat,the prow of which cuts diagonally through the center of the composition.The otherwise still evening is disturbed by a man washing rice;the cast-off water startles two herons,which fly toward the left edge of the print.The scene is accomplished predominantly in imported Prussian blue,with pale accents of tan and green.Also known as Berlin blue,this color was so popular in the 1830s that the publisher Eijudö originally intended to use it for every key block in the Thirty-six Views of Mount Fuji series,instead of the normal black.
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