Αρ. 83439293

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Γκέλεντε - Γιορούμπα - Νιγηρία
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Γκέλεντε - Γιορούμπα - Νιγηρία

A colourful Gelede helmet mask, Yoruba, Nigeria, with an elaborated headdress, carved by a composition of different animals, like a snake, birds and antelopes, intertwined with circular discs. The helmet like base of the mask has a goatee, beneath a full-liped mouth, a broard nose, wide eyes with blackened pupils; some age cracks, signs of ritual use. Like nearly all Gelede masks carved from light wood. “The Gelede is performed by the Yoruba-Nago community that is spread over Benin, Nigeria and Togo. For more than a century, this ceremony has been performed to pay tribute to the primordial mother Iyà Nlà and to the role women play in the process of social organization and development of Yoruba society. The Gelede takes place every year after the harvests, at important events and during drought or epidemics and is characterized by carved masks, dances and chants, sung in the Yoruba language and retracing the history and myths of the Yoruba-Nago people. The ceremony usually takes place at night on a public square and the dancers prepare in a nearby house. The singers and the drummers are the first to appear. They are accompanied by an orchestra and followed by the masked dancers wearing splendid costumes. There is a great deal of preparatory craftwork involved, especially mask carving and costume making. The performances convey an oral heritage that blends epic and lyric verses, which employ a good deal of irony and mockery, supported by satirical masks. Figures of animals are often used, such as the serpent, a symbol of power, or the bird, the messenger of the “mothers”. The community is divided into groups of men and women led by a male and a female head. It is the only known masked society, which is also governed by women. Although the Gelede has nowadays adapted to a more patriarchal society, the oral heritage and dances can be considered as a testimony of the former matriarchal order. Technical development is resulting in a gradual loss of traditional know-how, and tourism is jeopardizing the Gelede by turning it into a folklore product. Nevertheless, the Gelede community shows great awareness of the value of their intangible heritage, which is reflected in the efforts put into the preparation work and in the growing number of participants.” Source: UNESCO “Oral heritage of the Gelede masks”.

Αρ. 83439293

Δεν είναι πλέον διαθέσιμο
Γκέλεντε - Γιορούμπα - Νιγηρία

Γκέλεντε - Γιορούμπα - Νιγηρία

A colourful Gelede helmet mask, Yoruba, Nigeria, with an elaborated headdress, carved by a composition of different animals, like a snake, birds and antelopes, intertwined with circular discs. The helmet like base of the mask has a goatee, beneath a full-liped mouth, a broard nose, wide eyes with blackened pupils; some age cracks, signs of ritual use. Like nearly all Gelede masks carved from light wood.

“The Gelede is performed by the Yoruba-Nago community that is spread over Benin, Nigeria and Togo. For more than a century, this ceremony has been performed to pay tribute to the primordial mother Iyà Nlà and to the role women play in the process of social organization and development of Yoruba society.
The Gelede takes place every year after the harvests, at important events and during drought or epidemics and is characterized by carved masks, dances and chants, sung in the Yoruba language and retracing the history and myths of the Yoruba-Nago people. The ceremony usually takes place at night on a public square and the dancers prepare in a nearby house. The singers and the drummers are the first to appear. They are accompanied by an orchestra and followed by the masked dancers wearing splendid costumes. There is a great deal of preparatory craftwork involved, especially mask carving and costume making. The performances convey an oral heritage that blends epic and lyric verses, which employ a good deal of irony and mockery, supported by satirical masks. Figures of animals are often used, such as the serpent, a symbol of power, or the bird, the messenger of the “mothers”. The community is divided into groups of men and women led by a male and a female head. It is the only known masked society, which is also governed by women. Although the Gelede has nowadays adapted to a more patriarchal society, the oral heritage and dances can be considered as a testimony of the former matriarchal order.
Technical development is resulting in a gradual loss of traditional know-how, and tourism is jeopardizing the Gelede by turning it into a folklore product. Nevertheless, the Gelede community shows great awareness of the value of their intangible heritage, which is reflected in the efforts put into the preparation work and in the growing number of participants.” Source: UNESCO “Oral heritage of the Gelede masks”.

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