His works are metaphors to which all possible and impossible colours converge, just as metaphorical are the images of space and time, which deny the very concept of temporality. Master Chiapponi received recognition everywhere. Vittorio Sgarbi himself paid attention to his work, arguing that “his artistic research is a path towards the centre of the heart”. A romantic paradox for a painter who has chosen with extreme rigour to be abstract to the strictest discipline of Mondrian. Repetition is only apparent, because Chiapponi doesn’t choose a composition of convenience, but he aspires to rediscover the sense of the need to paint.