No. 83971317

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Horace Roye (British, 1906-2002) - Eternal Eve 19, 1947
Final bid
€ 54
2 weeks ago

Horace Roye (British, 1906-2002) - Eternal Eve 19, 1947

Eternal Eve 19, 1947, gelatin silver print, with copyright stamps of the photographer and Camera Studies Club (verso). In very good condition. Please check the scans for details. This photograph was also published in the book "Eternal Eve" (with Walter Bird and John Everard), Elstree, London, 1947. Horace Roye (1906-2002) was considered one of the most important British photographers of the 1930 and '40s, with his works in the collections of the UK's National Portrait Gallery, and other institutions. Roye's photograph Tomorrow's Crucifixion, depicting a nude model wearing a gas mask while pinned to a crucifix caused controversy when published in the North London Recorder in August 1938, but later became a noted photograph of its time. From then until his retirement in 1959, he made around 10,000 nude studies and collaborated with other important British photographers, including Walter Bird and John Everard, by selling their works through the Camera Studies Club. As a photographer of nudes, he successfully contested the obscenity laws of his day.

No. 83971317

Sold
Horace Roye (British, 1906-2002) - Eternal Eve 19, 1947

Horace Roye (British, 1906-2002) - Eternal Eve 19, 1947

Eternal Eve 19, 1947, gelatin silver print, with copyright stamps of the photographer and Camera Studies Club (verso).
In very good condition. Please check the scans for details.

This photograph was also published in the book "Eternal Eve" (with Walter Bird and John Everard), Elstree, London, 1947.

Horace Roye (1906-2002) was considered one of the most important British photographers of the 1930 and '40s, with his works in the collections of the UK's National Portrait Gallery, and other institutions.

Roye's photograph Tomorrow's Crucifixion, depicting a nude model wearing a gas mask while pinned to a crucifix caused controversy when published in the North London Recorder in August 1938, but later became a noted photograph of its time. From then until his retirement in 1959, he made around 10,000 nude studies and collaborated with other important British photographers, including Walter Bird and John Everard, by selling their works through the Camera Studies Club. As a photographer of nudes, he successfully contested the obscenity laws of his day.

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