N.º 15289923

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Mark Cohen - Dark Knees
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€ 100
Hace 332 semanas

Mark Cohen - Dark Knees

This 1st edition printing is in pristine condition (see photos) and signed by the photographer Number of pages: 118, number of images: 168 Binding: Linnen (Hardcover), size: 24.9 x 17.5 cm Method of shipment: Parcel Mark Cohen (born 1943) is a protagonist of the street photography idiom that dominated American photography in the early 1970s. Dark Knees is a catalogue of Cohen’s photos taken in his hometown over the past 40 years. The images captured by Cohen, who rejects the use of his viewfinder in favor of holding the camera away from his body, constitute a poetical documentation of the small mining town in which he was raised, in blurry night scenes with fragments of torsos and the backs of legs. Cohen says of his style: "I became a surrealist because I kept walking around the same blocks, and I started taking a picture of a guy’s shoe. I didn’t know what I was doing exactly. I was just being led by whatever I would see." Dark Knees includes an essay by the acclaimed photography critic Vince Aletti.

N.º 15289923

Vendido
Mark Cohen - Dark Knees

Mark Cohen - Dark Knees

This 1st edition printing is in pristine condition (see photos) and signed by the photographer

Number of pages: 118, number of images: 168
Binding: Linnen (Hardcover), size: 24.9 x 17.5 cm
Method of shipment: Parcel

Mark Cohen (born 1943) is a protagonist of the street photography idiom that dominated American photography in the early 1970s. Dark Knees is a catalogue of Cohen’s photos taken in his hometown over the past 40 years. The images captured by Cohen, who rejects the use of his viewfinder in favor of holding the camera away from his body, constitute a poetical documentation of the small mining town in which he was raised, in blurry night scenes with fragments of torsos and the backs of legs. Cohen says of his style: "I became a surrealist because I kept walking around the same blocks, and I started taking a picture of a guy’s shoe. I didn’t know what I was doing exactly. I was just being led by whatever I would see." Dark Knees includes an essay by the acclaimed photography critic Vince Aletti.

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