N.º 83254091

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Roy Lichtenstein (after) - Masterpiece (1962)
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Roy Lichtenstein (after) - Masterpiece (1962)

Author: ROY LICHTENSTEIN (1923-97) Title: Masterpiece (1962) Size: 28 x 35 cm Copyright: Estate of Roy Lichtenstein, DACS 2004. Printed in UK. Original: Oil on canvas 137 x 137 cm, Collection of Agnes Gund, New York. Offset Lithograph on heavyweight 300g premium paper. Displays a vivid and sharp image quality. New to frame. A must have print. Shipping in a rigid tube via certified express mail. It is possible to collect more than one object, from the same auction, in the same shipment ROY LICHTENSTEIN (1923-97) An American painter, print-maker and decorative artist who achieved fame in the 1960s. His paintings, based on motifs and procedures of comic strips and advertisements established him as one of the central figures of American Pop Art. Using bright strident colors and techniques such as Ben-Day dots, he ironically incorporates mass-produced emotions and objects into highly sophisticated references to art history. His Pop images of spectacular color, often with vernacular imagery and witty texts, lend themselves to multiple interpretations.

N.º 83254091

Ya no está disponible
Roy Lichtenstein (after) - Masterpiece (1962)

Roy Lichtenstein (after) - Masterpiece (1962)

Author: ROY LICHTENSTEIN (1923-97)
Title: Masterpiece (1962)
Size: 28 x 35 cm
Copyright: Estate of Roy Lichtenstein, DACS 2004. Printed in UK.
Original: Oil on canvas 137 x 137 cm, Collection of Agnes Gund, New York.
Offset Lithograph on heavyweight 300g premium paper.
Displays a vivid and sharp image quality.
New to frame. A must have print.
Shipping in a rigid tube via certified express mail.
It is possible to collect more than one object, from the same auction, in the same shipment

ROY LICHTENSTEIN (1923-97) An American painter, print-maker and decorative artist who achieved fame in the 1960s. His paintings, based on motifs and procedures of comic strips and advertisements established him as one of the central figures of American Pop Art. Using bright strident colors and techniques such as Ben-Day dots, he ironically incorporates mass-produced emotions and objects into highly sophisticated references to art history. His Pop images of spectacular color, often with vernacular imagery and witty texts, lend themselves to multiple interpretations.

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