A male Baule wooden sculpture, Central East Ivory Coast, collected in the village Lolobo, sitting on a stool, standing straight, hands holding a long flute erected towards the mouth, the torso is mounted by a thick cylindric neck who carries a large oval head. The features are calm, relaxed, emphasized by the half closed eyes staring downwards, the hairdo is pulled back forming a conical shape. The figure is covered with scarifications on his body, face, neck stomach and back - sign of beauty and status in Baule culture; some wear throughout the sculpture, sign of use and handling, some large cracks in the head. Certificate of provenance. “To articulate historians, the most consistent features of Baule art is a kind of peaceful containment. Faces tend to have downcast eyes and figures most often hold their ams against the body. […] Among their abundant art forms, the Baule people continue to place the greatest value on masks and figure sculptures, which remain the only sculptural art still widely used in Baule villages. While there is a difference between the Baule view of their objects and that of Western connoisseurs, there are points of agreement. Aesthetic appreciation is one: Baule artist, and individual owners of objects, certainly sometimes enjoy the beauty of these objects and the skill it took coproduce them. […] Ornaments above the face are chosen for their beauty and have no iconographic significance” p.141 Lit: Baule: African Art, Western Eyes. Susan M.Vogel 1997.