N.º 83435835

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No está bien - Nigeria
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No está bien - Nigeria

A fragmentary Nok terracotta from Nigeria with an indistinct elongated face, small holes for eyes marked by carvings around them. A flared nose and full mouth. Certificate of origin and provenance. “Nok head fragments were once part of entire bodies and are the most renowned objects within the corpus known to date. These objects are so highly varied that it is likely they were modeled individually rather than cast from molds. Although terracottas are usually formed using additive techniques, many Nok pieces were sculpted subtractively in a manner similar to carving. This distinctive approach suggests that a comparable wood-carving tradition may have influenced them. The heads of Nok terracottas are invariably proportionally large relative to the bodies, and while not enough is known of Nok culture to explain this apparent imbalance, it is interesting to note that a similar emphasis of the head in later African art traditions often signifies respect for intelligence.” Source: The Met Museum, New York

N.º 83435835

Ya no está disponible
No está bien - Nigeria

No está bien - Nigeria

A fragmentary Nok terracotta from Nigeria with an indistinct elongated face, small holes for eyes marked by carvings around them. A flared nose and full mouth. Certificate of origin and provenance.

“Nok head fragments were once part of entire bodies and are the most renowned objects within the corpus known to date. These objects are so highly varied that it is likely they were modeled individually rather than cast from molds. Although terracottas are usually formed using additive techniques, many Nok pieces were sculpted subtractively in a manner similar to carving. This distinctive approach suggests that a comparable wood-carving tradition may have influenced them. The heads of Nok terracottas are invariably proportionally large relative to the bodies, and while not enough is known of Nok culture to explain this apparent imbalance, it is interesting to note that a similar emphasis of the head in later African art traditions often signifies respect for intelligence.” Source: The Met Museum, New York

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