Miles Davis - My Funny Valentine (with cap-obi and insert) - Disco in vinile singolo - 1973
N. 81873185
Miles Davis - The Miles Davis Sextet – Jazz At The Plaza Vol. 1 - 1 x Japan Press - MINT - PERFECT CONDITION ! - Disco in vinile - Stampa giapponese - 1979
N. 81873185
Miles Davis - The Miles Davis Sextet – Jazz At The Plaza Vol. 1 - 1 x Japan Press - MINT - PERFECT CONDITION ! - Disco in vinile - Stampa giapponese - 1979
1.) The Miles Davis Sextet – Jazz At The Plaza Vol. 1
Vinyle, LP, Album, Stereo - 1979 - Japan - CBS/Sony – 20AP 1406
Media: MINT / Sleeve, Insert & OBI: NM to MINT. PERFECT CONDITION !
A1 Jazz At The Plaza 10:50
A2 My Funny Valentine 10:08
B1 If I Were A Bell 8:12
B2 Oleo 10:35
Back in 1958, Jazz at the Plaza was never meant to be a record; it was a Columbia party at the Plaza, a place jazz had never been played before. Also on the bill were Duke Ellington, Billie Holiday, and Jimmy Rushing. Despite the fine remastering job done by the Sony crew, Jazz at the Plaza is an essential recording by a remarkable band. There are four tunes in the set: the previously mentioned old stripe from Guys and Dolls; "Oleo," played at a blistering tempo; "My Funny Valentine," which, although recorded by Davis' previous quintet for Prestige, had become a staple in the sextet's play book; and Monk's "Straight, No Chaser." It is perhaps the last that brings the sextet to full bloom in this performance. Davis plays the theme faster than normal, alternating the groove between full and cut time, and Bill Evans goes directly to quoting "Blue Monk" in his own solo. Also notable is the performance of "My Funny Valentine" without the saxophone giants John Coltrane or Cannonball Adderley. Davis had turned the tune inside out by this time and was playing it in his new modal style; the melody became a skeleton and was replaced by the ghosts of intervals that kept its integrity and made it recognizable. This is not to say Davis had abandoned melody for mode entirely because his melodic sensibility, which was instinctual, is what made the modalism on the sextet level possible in the first place. Ultimately, Jazz at the Plaza succeeds mightily on the level of its fine performance.
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This record has been cleaned with a professional ultrasonic machine. New inner and outer sleeves included. Fast & careful shipping.
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