Marc Chagall (1887-1985) - Gogol : Une fête au port
N. 82163713
![Marc Chagall (1887-1985) - Fables de la Fontaine 1927 - Hand Signed](https://assets.catawiki.nl/assets/2024/4/11/b/6/1/b61132d3-fd10-4183-8829-2b2cd1cc70dc.jpg)
Marc Chagall (1887-1985) - Fables de la Fontaine 1927 - Hand Signed
N. 82163713
![Marc Chagall (1887-1985) - Fables de la Fontaine 1927 - Hand Signed](https://assets.catawiki.nl/assets/2024/4/11/b/6/1/b61132d3-fd10-4183-8829-2b2cd1cc70dc.jpg)
Marc Chagall (1887-1985) - Fables de la Fontaine 1927 - Hand Signed
MARC CHAGALL
"Le chêne et le roseau" 1927
( The oak and the reed )
Plate 12 " from " Fables De la Fontaine "
Etching on Montval paper
Sheet: 42 x 34 cm , with full margins
Edition of 100, not individually numbered (as issued)
Hand signed lower right and annotated "12", that refer to plate 12 from the suite "Fable de la Fontaine" which is composed by 100 plates
Published by Tériade, Paris,
Publications / Catalogue Raisonnée :
This print is fully documented and referenced in the official Catalogue Raisonnée
- Cramer "Chagall - Les Livre Illustrés" no. 22
Provenance:
- Cornette de Saint Cyr, Paris
Historical Notes:
In 1927, Chagall began working on another project for Vollard, a series of etchings illustrating The Fables of La Fontaine. In these plates we move from the fantastic Russia of Chagall’s imagination and memory to the more dream-like world of ancient myth and fable, told and retold, changing from time to time and place to place, but ultimately always the same.
The etching needle draws the most delicately ramified foliage and bush patterns, the texture of plumage and soft fur, and through shadings and cross-hatchings gives a range of tonalities . . . from white to a deep black. . . . Thus each picture is the result of a long series of working stages in the course of which the pictorial design in light and dark is slowly worked out in a process comparable to the building up of the color structure in a painting.
The Fables illustrate the grand themes of life that interested Chagall in his other works: love, death, and human folly.
About this print: What is the moral of "The Oak and the Reed" ?
Although the oak is seemingly more resilient, its pride gets the better of it. The reed is more humble, both in words and attitude: "bending over" is often considered a virtue of acceptance and patience.
Condition report:
A tear in the left side of the sheet that has been stopped to prevent widening.
Paper crease in the upper margin of the plate
The damages can be fixed by a restorer
Framing:
The print is nicely framed with anti-reflection museum glass
Dimensions with frame: 66 x 55 cm
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