N. 83328033

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M.C. Escher (1898-1972) - Puddle (1952)
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M.C. Escher (1898-1972) - Puddle (1952)

Author: Maurits Cornelis Escher (1898-1972) Title: Puddle (1952) Size: 55 x 65cm Copyright: The M.C. Escher Company - Baarn - The Netherlands. Offset print, made on 180g matt paper. Displays a vivid and sharp image quality. Just the right size to frame. Impressive effect when framed. Shipping in a rigid tube via certified express mail. It is possible to collect more than one object, from the same auction, in the same shipment. Puddle is a woodcut print by the Dutch artist M. C. Escher, first printed in February 1952. Since 1936, Escher's work had become primarily focused on paradoxes, tessellation and other abstract visual concepts. This print, however, is a realistic depiction of a simple image that portrays two perspectives at once. It depicts an unpaved road with a large pool of water in the middle of it at twilight. Turning the print upside-down and focusing strictly on the reflection in the water, it becomes a depiction of a forest with a full moon overhead. The road is soft and muddy and in it there are two distinctly different sets of tire tracks, two sets of footprints going in opposite directions and two bicycle tracks. Escher has thus captured three elements: the water, sky and earth.

N. 83328033

Venduti
M.C. Escher (1898-1972) - Puddle (1952)

M.C. Escher (1898-1972) - Puddle (1952)

Author: Maurits Cornelis Escher (1898-1972)
Title: Puddle (1952)
Size: 55 x 65cm
Copyright: The M.C. Escher Company - Baarn - The Netherlands.
Offset print, made on 180g matt paper. Displays a vivid and sharp image quality.
Just the right size to frame. Impressive effect when framed.
Shipping in a rigid tube via certified express mail.
It is possible to collect more than one object, from the same auction, in the same shipment.

Puddle is a woodcut print by the Dutch artist M. C. Escher, first printed in February 1952.

Since 1936, Escher's work had become primarily focused on paradoxes, tessellation and other abstract visual concepts. This print, however, is a realistic depiction of a simple image that portrays two perspectives at once. It depicts an unpaved road with a large pool of water in the middle of it at twilight. Turning the print upside-down and focusing strictly on the reflection in the water, it becomes a depiction of a forest with a full moon overhead. The road is soft and muddy and in it there are two distinctly different sets of tire tracks, two sets of footprints going in opposite directions and two bicycle tracks. Escher has thus captured three elements: the water, sky and earth.

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