One Hundred Noh Plays - Ataka, diptych - (1922-1926) - Tsukioka Kōgyo 月岡耕漁 (1869-1927) - Giappone - Periodo Taishō (1912-1926)
N. 83420331
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Takasago, from Nogaku hyakuban (One hundred No performances), diptych - 1924 - Tsukioka Kōgyo 月岡耕漁 (1869-1927) - Giappone - Periodo Taishō (1912-1926)
Good condition.
Diptych, but separated.
See Art Institute of Chicago: https://www.artic.edu/artworks/154625
Description:
Original woodblock print – Tsukioka Kogyo (1869-1927) – Takasago, from Nogaku hyakuban (One hundred No performances), diptych – around 1924
This work is also Kougyo’s representative series work.
The signature is ‘Kougyo’ 耕漁
Author:
Kōgyo Tsukioka (月岡 耕漁, Tsukioka Kōgyo), sometimes called Kōgyo Sakamaki (坂巻 耕漁, Sakamaki Kōgyo), (April 18, 1869 – February 25, 1927) was a Japanese artist of the Meiji period. He was a student and adopted son of Tsukioka Yoshitoshi, and also studied with Ogata Gekkō.
Kōgyo’s style was heavily influenced by the traditional Japanese theater form of kabuki and Noh. He specialized in creating prints and paintings of actors in costume and in dramatic poses, often surrounded by elaborate sets and scenery. His works were highly detailed and meticulously rendered, capturing the beauty and drama of the kabuki performances. Unlike most ukiyo-e prints, his works have an almost painterly quality and use gold and silver for the Noh costume embellishments. Kogyo’s woodblock prints required very skilled engravers and printers to produce.
Kōgyo’s contributions to the art world were widely recognized during his lifetime. He was a member of the prestigious Tokyo School of Fine Arts and was awarded numerous prizes and honors for his work. His prints and paintings were exhibited in galleries around the world, including the Tokyo National Museum and the Museum of Fine Arts in Boston.
N. 83420331
Venduti
Takasago, from Nogaku hyakuban (One hundred No performances), diptych - 1924 - Tsukioka Kōgyo 月岡耕漁 (1869-1927) - Giappone - Periodo Taishō (1912-1926)
Good condition.
Diptych, but separated.
See Art Institute of Chicago: https://www.artic.edu/artworks/154625
Description:
Original woodblock print – Tsukioka Kogyo (1869-1927) – Takasago, from Nogaku hyakuban (One hundred No performances), diptych – around 1924
This work is also Kougyo’s representative series work.
The signature is ‘Kougyo’ 耕漁
Author:
Kōgyo Tsukioka (月岡 耕漁, Tsukioka Kōgyo), sometimes called Kōgyo Sakamaki (坂巻 耕漁, Sakamaki Kōgyo), (April 18, 1869 – February 25, 1927) was a Japanese artist of the Meiji period. He was a student and adopted son of Tsukioka Yoshitoshi, and also studied with Ogata Gekkō.
Kōgyo’s style was heavily influenced by the traditional Japanese theater form of kabuki and Noh. He specialized in creating prints and paintings of actors in costume and in dramatic poses, often surrounded by elaborate sets and scenery. His works were highly detailed and meticulously rendered, capturing the beauty and drama of the kabuki performances. Unlike most ukiyo-e prints, his works have an almost painterly quality and use gold and silver for the Noh costume embellishments. Kogyo’s woodblock prints required very skilled engravers and printers to produce.
Kōgyo’s contributions to the art world were widely recognized during his lifetime. He was a member of the prestigious Tokyo School of Fine Arts and was awarded numerous prizes and honors for his work. His prints and paintings were exhibited in galleries around the world, including the Tokyo National Museum and the Museum of Fine Arts in Boston.
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