N. 83434099

Venduti
Gustav Klimt (1862-1918) (after) - "Der Kuss, 1907-08" - (70x100cm) - Serigraph
Offerta finale
€ 70
4 settimane fa

Gustav Klimt (1862-1918) (after) - "Der Kuss, 1907-08" - (70x100cm) - Serigraph

- Authorized silkscreen/serigraph on smooth heavyweight paper (300gsm approx.). 2000s - Stamp on verso. - Condition: excellent. Never framed, never exposed. - Size: 70 x 100cm. - Klimt, one of the most important artist of the recent years such as Richter, Rothko, Miró, Hockney, Picasso, Haring, Ramos, Lagasse among others. "The Kiss" is an oil-on-canvas painting with added gold leaf, silver and platinum by the Austrian Symbolist painter Gustav Klimt. It was painted at some point in 1907 and 1908, during the height of what scholars call his "Golden Period". It was exhibited in 1908 under the title "The lovers" as stated in the catalogue of the exhibition. The painting depicts a couple embracing each other, their bodies entwined in elaborate beautiful robes decorated in a style influenced by the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement. It is thought that Klimt and his companion Emilie Flöge modeled for the work, but there is no evidence or record to prove this. Others suggest the female was the model known as 'Red Hilda'; she bears strong resemblance to the model in his Woman with feather boa, Goldfish and Danaë. Klimt painted The Kiss soon after his three-part Vienna Ceiling series, which created a scandal and were criticized as both "pornographic" and evidence of "perverted excess". The works had recast the artist as an enfant terrible for his anti-authoritarian and anti-popularist views on art. He wrote, "If you can not please everyone with your deeds and your art, please a few". The Kiss was exhibited in 1908 in Vienna in the Kunstschau – the building created in collaboration by Josef Hoffmann, Gustav Klimt, Otto Prutscher, Koloman Moser and many others, to coincide with the celebrations in Vienna for the sixtieth anniversary of Emperor Francis Joseph I’s reign from 1 June to 16 November 1908. The Kiss, however, was enthusiastically received, and was purchased, still unfinished, by the Austrian government when it was put on public exhibition.

N. 83434099

Venduti
Gustav Klimt (1862-1918) (after) - "Der Kuss, 1907-08" - (70x100cm) - Serigraph

Gustav Klimt (1862-1918) (after) - "Der Kuss, 1907-08" - (70x100cm) - Serigraph

- Authorized silkscreen/serigraph on smooth heavyweight paper (300gsm approx.). 2000s

- Stamp on verso.

- Condition: excellent. Never framed, never exposed.

- Size: 70 x 100cm.

- Klimt, one of the most important artist of the recent years such as Richter, Rothko, Miró, Hockney, Picasso, Haring, Ramos, Lagasse among others.

"The Kiss" is an oil-on-canvas painting with added gold leaf, silver and platinum by the Austrian Symbolist painter Gustav Klimt. It was painted at some point in 1907 and 1908, during the height of what scholars call his "Golden Period". It was exhibited in 1908 under the title "The lovers" as stated in the catalogue of the exhibition. The painting depicts a couple embracing each other, their bodies entwined in elaborate beautiful robes decorated in a style influenced by the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement.

It is thought that Klimt and his companion Emilie Flöge modeled for the work, but there is no evidence or record to prove this. Others suggest the female was the model known as 'Red Hilda'; she bears strong resemblance to the model in his Woman with feather boa, Goldfish and Danaë.

Klimt painted The Kiss soon after his three-part Vienna Ceiling series, which created a scandal and were criticized as both "pornographic" and evidence of "perverted excess". The works had recast the artist as an enfant terrible for his anti-authoritarian and anti-popularist views on art. He wrote, "If you can not please everyone with your deeds and your art, please a few".

The Kiss was exhibited in 1908 in Vienna in the Kunstschau – the building created in collaboration by Josef Hoffmann, Gustav Klimt, Otto Prutscher, Koloman Moser and many others, to coincide with the celebrations in Vienna for the sixtieth anniversary of Emperor Francis Joseph I’s reign from 1 June to 16 November 1908.

The Kiss, however, was enthusiastically received, and was purchased, still unfinished, by the Austrian government when it was put on public exhibition.

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