N. 83512673

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Robert Frank - Paris, Peru & Household inventory record - 2008
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Robert Frank - Paris, Peru & Household inventory record - 2008

Robert Frank - lot de 3 publiés par steidl Paris The publication of Paris: A Short Return marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs reproduced here, which were selected by Frank and editor Ute Eskildsen, suggest that Frank's experience of the 'new world' had sharpened his eye for European urbanism. He saw the city's streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur. Peru In March 1949, Robert Frank mailed a birthday gift to his mother in Switzerland: A maquette of a series of photographs he had made during a visit to Peru between June and December of the previous year. Frank assembled an identical book for himself, and these two maquettes now reside in the collections of The Museum of Modern Art, New York and the National Gallery of Art, Washington. A few of the images are well known in Frank's oeuvre, but until now very few people have seen the entire series-which, in 1949, already displayed the hallmark of Frank's distinctive image-sequencing. Peru also exhibits an ease and flexibility that Frank himself confirms: 'I was very free with the camera. I didn't think of what would be the correct thing to do; I did what I felt good doing. I was like an action painter.' Using a hand-held 35mm Leica camera, Frank documented the country's massive vistas, weathered faces, manual labour and dusty roads stretching to the horizon with a spontaneity of motion that propels the viewer into the midst of the scenery. For the first time, and under the direction of Frank himself, this book presents the complete sequence of images. Peru is a work of major significance in both the artist's history and the history of photography. Published in association with the National Gallery of Art, Washington. Household inventory record Steidl, 2013. Bound: text in English. Mint, in original plastic cover

N. 83512673

Venduti
Robert Frank - Paris, Peru & Household inventory record - 2008

Robert Frank - Paris, Peru & Household inventory record - 2008

Robert Frank - lot de 3 publiés par steidl

Paris
The publication of Paris: A Short Return marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs reproduced here, which were selected by Frank and editor Ute Eskildsen, suggest that Frank's experience of the 'new world' had sharpened his eye for European urbanism. He saw the city's streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur.

Peru
In March 1949, Robert Frank mailed a birthday gift to his mother in Switzerland: A maquette of a series of photographs he had made during a visit to Peru between June and December of the previous year. Frank assembled an identical book for himself, and these two maquettes now reside in the collections of The Museum of Modern Art, New York and the National Gallery of Art, Washington. A few of the images are well known in Frank's oeuvre, but until now very few people have seen the entire series-which, in 1949, already displayed the hallmark of Frank's distinctive image-sequencing. Peru also exhibits an ease and flexibility that Frank himself confirms: 'I was very free with the camera. I didn't think of what would be the correct thing to do; I did what I felt good doing. I was like an action painter.' Using a hand-held 35mm Leica camera, Frank documented the country's massive vistas, weathered faces, manual labour and dusty roads stretching to the horizon with a spontaneity of motion that propels the viewer into the midst of the scenery. For the first time, and under the direction of Frank himself, this book presents the complete sequence of images. Peru is a work of major significance in both the artist's history and the history of photography. Published in association with the National Gallery of Art, Washington.

Household inventory record
Steidl, 2013. Bound: text in English. Mint, in original plastic cover


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