N. 83649239

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Gustave Dore (ill) - Lot of 14 works with illustrations by Gustave Dore - 1965-2000
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Gustave Dore (ill) - Lot of 14 works with illustrations by Gustave Dore - 1965-2000

Lot of 14 works with illustrations by Gustave Dore in Dutch, German, and English. Paul Gustave Louis Christophe Doré (UK: /ˈdɔːreɪ/ DOR-ay, US: /dɔːˈreɪ/ dor-AY, French: [ɡystav dɔʁe]; 6 January 1832 – 23 January 1883) was a French printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings illustrating classic literature, especially those for the Vulgate Bible and Dante's Divine Comedy. These achieved great international success, and he became renowned for printmaking, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image.[1] He created over 10,000 illustrations, the most important of which were copied using an electrotype process using cylinder presses, allowing very large print runs to be published simultaneously in many countries

N. 83649239

Venduti
Gustave Dore (ill) - Lot of 14 works with illustrations by Gustave Dore - 1965-2000

Gustave Dore (ill) - Lot of 14 works with illustrations by Gustave Dore - 1965-2000

Lot of 14 works with illustrations by Gustave Dore in Dutch, German, and English.

Paul Gustave Louis Christophe Doré (UK: /ˈdɔːreɪ/ DOR-ay, US: /dɔːˈreɪ/ dor-AY, French: [ɡystav dɔʁe]; 6 January 1832 – 23 January 1883) was a French printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings illustrating classic literature, especially those for the Vulgate Bible and Dante's Divine Comedy. These achieved great international success, and he became renowned for printmaking, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image.[1]

He created over 10,000 illustrations, the most important of which were copied using an electrotype process using cylinder presses, allowing very large print runs to be published simultaneously in many countries

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