N. 83797439

Venduti
Carolyn Drake - Wild Pigeon - 2014
Offerta finale
€ 120
2 settimane fa

Carolyn Drake - Wild Pigeon - 2014

Carolyn Drakes second book, self published in an edition of 950. Designed by Sybren Kuiper (SYB). Between 2007 and 2013, Carolyn Drake traveled in the Xinjiang Uyghur Autonomous Region, a remote province of China, 2,000 miles from Beijing, staying in Uyghur villages and cities on the edge of the Taklamakan Desert. The Uyghurs are a predominantly muslim Turkic people, one of China’s recognised ethnic minorities, with their own distinct language and writing systems. She found that the landscape changed on each visit as historic Uyghur neighborhoods were being torn down and rebuilt as modern Chinese cities, a result of government development policy. As Drake tried to ask Uyghurs about these changes, the translator she was using quit, saying her questions were “too political”. So instead, she invited people to communicate through drawing. The resultant body of work is titled ‘Wild Pigeon’, so named after a folk tale about a bird that would rather die than be caged by humans, a story banned from publication by the Chinese government but passed on by word of mouth.

N. 83797439

Venduti
Carolyn Drake - Wild Pigeon - 2014

Carolyn Drake - Wild Pigeon - 2014

Carolyn Drakes second book, self published in an edition of 950. Designed by Sybren Kuiper (SYB).

Between 2007 and 2013, Carolyn Drake traveled in the Xinjiang Uyghur Autonomous Region, a remote province of China, 2,000 miles from Beijing, staying in Uyghur villages and cities on the edge of the Taklamakan Desert. The Uyghurs are a predominantly muslim Turkic people, one of China’s recognised ethnic minorities, with their own distinct language and writing systems. She found that the landscape changed on each visit as historic Uyghur neighborhoods were being torn down and rebuilt as modern Chinese cities, a result of government development policy.

As Drake tried to ask Uyghurs about these changes, the translator she was using quit, saying her questions were “too political”. So instead, she invited people to communicate through drawing. The resultant body of work is titled ‘Wild Pigeon’, so named after a folk tale about a bird that would rather die than be caged by humans, a story banned from publication by the Chinese government but passed on by word of mouth.

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