N. 84187635

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Erich Buchholz (1891-1972) - Composition
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Erich Buchholz (1891-1972) - Composition

Erich Buchholz: Composition from La Lune en Rodage III Material: Vergé-paper  Editor: Edition Panderma, Basel Edition: This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) Signed and dated Condition / Restauration: mint archival condition, fixed on cardboard (32 x 32 cm) Erich Buchholz (1891–1972) was a German artist in painting and printmaking. The original motive of this print is part of the permanent collection of the Museum of Modern Art in New York (Composition 1920). He was a central figure in the development of non-objective or concrete art in Berlin between 1918 and 1924. At the exhibition Constructivism and Suprematism, organized in 1922 by the Van Diemen Gallery in Berlin, he met László Moholy-Nagy, Laszlo Peri, Ernő Kállai, and El Lissitzky, people with whom he kept close contact in the following years.

N. 84187635

Venduti
Erich Buchholz (1891-1972) - Composition

Erich Buchholz (1891-1972) - Composition

Erich Buchholz: Composition from La Lune en Rodage III

Material: Vergé-paper 
Editor: Edition Panderma, Basel
Edition: This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) Signed and dated

Condition / Restauration:
mint archival condition, fixed on cardboard (32 x 32 cm)

Erich Buchholz (1891–1972) was a German artist in painting and printmaking. The original motive of this print is part of the permanent collection of the Museum of Modern Art in New York (Composition 1920).
He was a central figure in the development of non-objective or concrete art in Berlin between 1918 and 1924. At the exhibition Constructivism and Suprematism, organized in 1922 by the Van Diemen Gallery in Berlin, he met László Moholy-Nagy, Laszlo Peri, Ernő Kállai, and El Lissitzky, people with whom he kept close contact in the following years.

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