Henri Laurens (1885–1954) - Dialogues





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Henri Laurens, Dialogues, a color woodcut on Arches paper from the 1951 portfolio Lucien De Samosate: Dialogues, unsigned and unnumbered from an edition of 250, in good condition and framed (frame 50 × 40 cm; sheet 38 × 28 cm), published by Tériade éditeur, France.
Description from the seller
Henri Laurens(1885-1954)は、カラー版画をArches紙に原本として制作した作品(「Lucien De Samosate: Dialogues」より)で、フランスのTériade éditeurから1951年に刊行された。サインなし・番号なし、250部。
額寸法: 50 x 40 cm
紙寸法: 38 x 28 cm
文献: De l'ecriture a la peinture, 2004(Aimé Maeght のコレクションに収められた作家版の総覧)、72ページ
版画は極めて良好な状態で、木製の額には小さな使用感があります。追跡付き・保険付きの発送で、世界中にお届けします。
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Henri Laurens (1885-1954) was a notable French sculptor and illustrator, remembered as a key figure in the Cubist movement. Born in Paris, Laurens began as a stonemason before taking drawing classes and developing a strong interest in Cubism, influenced by his friends and contemporaries Georges Braque, Pablo Picasso and Juan Gris. His work, characterized by transformed geometric shapes and the interplay of mass and void, contributed significantly to the development of modern sculpture. After the First World War, Laurens moved removed himself from Cubism to develop a more organic style, utilizing curvatures to illustrate the female form and events from ancient mythology.
Henri Laurens(1885-1954)は、カラー版画をArches紙に原本として制作した作品(「Lucien De Samosate: Dialogues」より)で、フランスのTériade éditeurから1951年に刊行された。サインなし・番号なし、250部。
額寸法: 50 x 40 cm
紙寸法: 38 x 28 cm
文献: De l'ecriture a la peinture, 2004(Aimé Maeght のコレクションに収められた作家版の総覧)、72ページ
版画は極めて良好な状態で、木製の額には小さな使用感があります。追跡付き・保険付きの発送で、世界中にお届けします。
**
Henri Laurens (1885-1954) was a notable French sculptor and illustrator, remembered as a key figure in the Cubist movement. Born in Paris, Laurens began as a stonemason before taking drawing classes and developing a strong interest in Cubism, influenced by his friends and contemporaries Georges Braque, Pablo Picasso and Juan Gris. His work, characterized by transformed geometric shapes and the interplay of mass and void, contributed significantly to the development of modern sculpture. After the First World War, Laurens moved removed himself from Cubism to develop a more organic style, utilizing curvatures to illustrate the female form and events from ancient mythology.

