David Gerstein (1944) - 彫刻, Innocent Walker - 22 cm - 抜き加工を施した鉄板の両面にシルクスクリーン印刷 - 2016





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David Gerstein, Innocent Walker (2016), serigraph on cutout steel, two sides, 450 g, 21 cm × 22 cm × 5 cm, hand signed, Israel, excellent condition.
Description from the seller
Crazy Bird
Size: W:23 x H:22cm
Year: 2016
Medium: Steel
Free Standing
technique: Print on steel
David Gerstein Born in Jerusalem, 1944.
Studied and teached at the Bezalel Academy of arts in Jerusalem; Beaux Arts, Paris; Art Students' League, N.Y; St. Martin's, London.
Exhibited in one-man shows at the Israel Museum, Haifa Museum and Herzeliya Museum, and at countless public and private galleries in Israel, Europe and America.
His art is permemently Installed in cities and museums such as the Israel Museum, the Tefen Open Museum, The Science Museum in Jerusalem;the cities of Jerusalem, Ramat Hasharon, Lod,Herzeliyya and Ancient Avdat; the Jerusalem
"David Gerstein's style is his own. There is a witty and restrained humor, an inexhaustible colorfulness, and an astonishing expressive power.." "Gerstein breaks the frame, the stylistic conventions, and of course the familiar structure of the thematic of art."
Show less
Crazy Bird
Size: W:23 x H:22cm
Year: 2016
Medium: Steel
Free Standing
technique: Print on steel
David Gerstein Born in Jerusalem, 1944.
Studied and teached at the Bezalel Academy of arts in Jerusalem; Beaux Arts, Paris; Art Students' League, N.Y; St. Martin's, London.
Exhibited in one-man shows at the Israel Museum, Haifa Museum and Herzeliya Museum, and at countless public and private galleries in Israel, Europe and America.
His art is permemently Installed in cities and museums such as the Israel Museum, the Tefen Open Museum, The Science Museum in Jerusalem;the cities of Jerusalem, Ramat Hasharon, Lod,Herzeliyya and Ancient Avdat; the Jerusalem
"David Gerstein's style is his own. There is a witty and restrained humor, an inexhaustible colorfulness, and an astonishing expressive power.." "Gerstein breaks the frame, the stylistic conventions, and of course the familiar structure of the thematic of art."
Show less

