SADAHIDA • 泰平記の六波羅の戦い、1859年 • 日本の木版画 • 浮世絵 - Japan - Edo Period (1600-1868)





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Original Edo-period Japanese woodblock print by Utagawa Sadahide (Gountei Sadahide), 1859, two Ōban Tate-e sheets illustrating Kusunoki Masatsura's night attack at Rokuhara in the Taiheiki, each about 36 × 24.5 cm (together 36 × 48 cm), in fair condition from a private collection.
Description from the seller
Artist: Utagawa Sadahide (Gountei Sadahide, 1807–1873)
Title: Kusunoki Masatsura yōchi, Takauji Tanba e shirizoku 楠正行夜討 尊氏丹波へ退く (Kusunoki Masatsura's night attack; Takauji retreats to Tanba)
Technique: Nishiki-e woodblock print on paper
Date: 1859
Format: Two ōban tate-e sheets, each approx. 36 × 24.5 cm
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Condition: A richly detailed impression of this virtuoso night scene. The great plumes of smoke — carved with an almost copperplate-like linear density — dominate the composition, printed in layered greys against a glowing salmon sky, with the massed samurai figures, blue palace floors, and banners crisply defined below. Colours remain well preserved and the composition reads clearly. Minor backing, minor scuff and crease. Overall fair condition.
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About the print
A spectacular night-battle scene from the Taiheiki, the great fourteenth-century war chronicle of the struggle between the imperial loyalists and the Ashikaga. The shogunal stronghold at Rokuhara in Kyoto is overrun in a night attack by the forces of Kusunoki Masatsura: armoured warriors swarm the walled courtyard and storm the staircase of the palace at right, clashing with spear and sword beneath verandah pillars bristling with arrows, while the entire complex goes up in flames — the event that forced Ashikaga Takauji's retreat to Tanba province. Sadahide, best remembered today for his Yokohama prints and panoramic map-like compositions, brings that same bird's-eye ambition to this teeming battle piece, orchestrating hundreds of tiny figures beneath the extraordinary swirling smoke that has made this design a favourite among collectors of musha-e. The complete triptych is held by the Toledo Museum of Art and the Museum of Fine Arts, Boston; offered here are the centre and right sheets, which carry the title cartouche, the principal palace architecture, and the main thrust of the assault.
Seller's Story
Artist: Utagawa Sadahide (Gountei Sadahide, 1807–1873)
Title: Kusunoki Masatsura yōchi, Takauji Tanba e shirizoku 楠正行夜討 尊氏丹波へ退く (Kusunoki Masatsura's night attack; Takauji retreats to Tanba)
Technique: Nishiki-e woodblock print on paper
Date: 1859
Format: Two ōban tate-e sheets, each approx. 36 × 24.5 cm
----------------------------------------------------------------------
Condition: A richly detailed impression of this virtuoso night scene. The great plumes of smoke — carved with an almost copperplate-like linear density — dominate the composition, printed in layered greys against a glowing salmon sky, with the massed samurai figures, blue palace floors, and banners crisply defined below. Colours remain well preserved and the composition reads clearly. Minor backing, minor scuff and crease. Overall fair condition.
----------------------------------------------------------------------
About the print
A spectacular night-battle scene from the Taiheiki, the great fourteenth-century war chronicle of the struggle between the imperial loyalists and the Ashikaga. The shogunal stronghold at Rokuhara in Kyoto is overrun in a night attack by the forces of Kusunoki Masatsura: armoured warriors swarm the walled courtyard and storm the staircase of the palace at right, clashing with spear and sword beneath verandah pillars bristling with arrows, while the entire complex goes up in flames — the event that forced Ashikaga Takauji's retreat to Tanba province. Sadahide, best remembered today for his Yokohama prints and panoramic map-like compositions, brings that same bird's-eye ambition to this teeming battle piece, orchestrating hundreds of tiny figures beneath the extraordinary swirling smoke that has made this design a favourite among collectors of musha-e. The complete triptych is held by the Toledo Museum of Art and the Museum of Fine Arts, Boston; offered here are the centre and right sheets, which carry the title cartouche, the principal palace architecture, and the main thrust of the assault.

