Inna Etuvgi - Blooming Over

BLOOMING OVER

Inna Etuvgiによる美術印刷作品

私たちはしばしば、課せられた信念、学ばれた制約、受け継がれた恐怖によって形づくられた構造の中で生きている—堅く、馴染み深く、時には護られていると感じられる檻である。しかし、これらの障壁の下には、何かが育ち続け、やがて花開く。

これらの花は必ず檻を破るわけではない。単に檻の外に存在するだけだ。それは、構造物が私たちの動きを制限しても、私たちの本質の展開を止めることはできないという視覚的な思い出である。

* Secret Garden コレクションの一部。

PRINT DETAILS:

* Medium: Museum-quality Giclée print.
* Paper: Archival Quality Fine Art paper (300 gsm), 100% cotton, acid-free.
* Edition: Limited edition of 25.
* Authenticity: Hand-signed and numbered by the artist. Includes a signed Certificate of Authenticity (COA).
* Production: Printed under the artist's direct supervision to ensure archival standards and impeccable color accuracy.
* Dimensions: Image size 30 x 30 cm; total paper size 33 x 34 cm.

OPTIONAL — MAT & READY-TO-FRAME PREPARATION

The print ships on its own, unmatted. If you’d like, I can mount it in a custom passepartout with a backing board, tailored to fit your frame perfectly.

I use pH-neutral archival materials and a reversible mount, so the print can always be removed without damage. This is an optional paid service — just message me for the price and details.

EDITION

This work is presented in a Special Catawiki Edition (30×30 cm image on 33×34 cm paper). The artist's larger-scale Studio and Master Editions are sold through premier online galleries; this size is not available through any gallery or platform. It can only be acquired directly from the artist's studio or through selected auction releases. Produced to the same archival standards as all editions.

ABOUT THE ARTIST

Inna Etuvgi is a Swedish-Chukchi art photographer and digital artist, internationally recognised as an Arte Laguna Prize finalist (Venice) and a recipient of the Swedish Arts Grants Committee grant. Born in a remote Arctic village in Chukotka and trained in technical cybernetics, she began her artistic practice in 2020 and has since exhibited across Europe — in Venice, London, Barcelona, Palermo, and San Marino.

Etuvgi lives with aphantasia — she cannot see images in her mind. Her camera and AI serve as extensions of her visual imagination, allowing her to create what she cannot picture internally. Through macro photography she enters the hidden worlds of mosses, lichens, and dewdrops; through digital art she gives form to psychological states and inner archetypes. Both are rooted in a deep sensitivity shaped by her Chukchi upbringing — an instinct to feel into every living thing.

As art critic Tabish Khan notes: "Her work transports us to other worlds — both real and imaginary, but always in harmony with nature."