Kunisada • 三十六歌仙のパロディから • 日本木版画 - Japan - Edo Period (1600-1868)





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Original Edo-period Japanese woodblock print by Utagawa Kunisada (Toyokuni III), From a Parody of the Thirty-Six Immortal Poets, Ōban tate-e, ca. 36 × 24 cm, full-colour Nishiki-e, published by Iseya Kanekichi in 1852, in fair condition.
Description from the seller
Artist: Utagawa Kunisada / Toyokuni III (歌川国貞・三代豊国, 1786–1865)
Series: Mitate Sanjūrokkasen no uchi 見立三十六歌撰之内 — "From a Parody of the Thirty-Six Immortal Poets"
Poet: Sōjō Henjō 僧正遍照 (816–890), named in the poem cartouche
Role: 光秀妻さつき — Satsuki, wife of Mitsuhide, played by the onnagata Onoe Kikujirō II (per the Honolulu Museum of Art record; the actor is not named on the sheet)
Format: Ōban tate-e, single sheet, ca. 36 × 24.5 cm
Technique: Nishiki-e (full-colour woodblock print)
Date: Kaei 5 (1852) — two nanushi censor seals with date seal at lower right
Publisher: Iseya Kanekichi 伊勢屋兼吉 (Isekane)
Carver: Horitake 彫竹, in the yellow seal beside the signature
Signature: 豊国画 Toyokuni ga in the red toshidama cartouche
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Condition
Colour and impression are fairly well preserved. The paper, however, shows a number of issues including toning and creasing, with minor remnants of backing on the verso. Fair condition overall. Please refer to the images for full detail.
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About the print
Kunisada's mitate series pair a classical poem with a kabuki figure who has nothing obvious to do with it — the pleasure lies in working out the connection. Here the link is hair.
The poem in the cartouche is Sōjō Henjō's, written on the day he took the tonsure:
Tarachine wa / kakare tote shi mo / mubatama no / waga kurokami o / nadezu ya arikemu
"Surely my mother, when she stroked my jet-black hair, never stroked it wishing for this."
The poem is preserved in the Gosen Wakashū, and the sense is that his mother can hardly have caressed his hair as a child intending that it would one day be shaved off. Henjō — the courtier Yoshimine no Munesada before he took orders — was a celebrated young nobleman who renounced the world at thirty-five on the death of Emperor Ninmyō, and the verse dates from the moment of his shaving.
Seller's Story
Artist: Utagawa Kunisada / Toyokuni III (歌川国貞・三代豊国, 1786–1865)
Series: Mitate Sanjūrokkasen no uchi 見立三十六歌撰之内 — "From a Parody of the Thirty-Six Immortal Poets"
Poet: Sōjō Henjō 僧正遍照 (816–890), named in the poem cartouche
Role: 光秀妻さつき — Satsuki, wife of Mitsuhide, played by the onnagata Onoe Kikujirō II (per the Honolulu Museum of Art record; the actor is not named on the sheet)
Format: Ōban tate-e, single sheet, ca. 36 × 24.5 cm
Technique: Nishiki-e (full-colour woodblock print)
Date: Kaei 5 (1852) — two nanushi censor seals with date seal at lower right
Publisher: Iseya Kanekichi 伊勢屋兼吉 (Isekane)
Carver: Horitake 彫竹, in the yellow seal beside the signature
Signature: 豊国画 Toyokuni ga in the red toshidama cartouche
----------------------------------------------------------------
Condition
Colour and impression are fairly well preserved. The paper, however, shows a number of issues including toning and creasing, with minor remnants of backing on the verso. Fair condition overall. Please refer to the images for full detail.
----------------------------------------------------------
About the print
Kunisada's mitate series pair a classical poem with a kabuki figure who has nothing obvious to do with it — the pleasure lies in working out the connection. Here the link is hair.
The poem in the cartouche is Sōjō Henjō's, written on the day he took the tonsure:
Tarachine wa / kakare tote shi mo / mubatama no / waga kurokami o / nadezu ya arikemu
"Surely my mother, when she stroked my jet-black hair, never stroked it wishing for this."
The poem is preserved in the Gosen Wakashū, and the sense is that his mother can hardly have caressed his hair as a child intending that it would one day be shaved off. Henjō — the courtier Yoshimine no Munesada before he took orders — was a celebrated young nobleman who renounced the world at thirty-five on the death of Emperor Ninmyō, and the verse dates from the moment of his shaving.

