Maekawa Senpan — 舞妓 • 1946 • 創作版画 • 日本人 - Japan - 20th century





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Original Maiko woodcut by Maekawa Senpan, a 1946 Sōsaku Hanga self-carved and self-printed work, approx. 26 × 20 cm, in excellent condition.
Description from the seller
Artist: Maekawa Senpan 前川千帆 (1888–1960), born Kyoto as Ishida Shigezaburō
Title: Maiko 舞妓 — "Apprentice Geisha"
Series: Nihon Jozoku-sen 日本女俗選 — "Women's Customs of Japan"
Date: August 1946 (Shōwa 21)
Publisher: Fugaku Shuppansha 富岳出版社, issued under the heading 日本版画協会自刻作品 — "self-carved works of the Japan Print Association"
Seal: Red square artist's seal at lower right, read Han 帆 (from Senpan); the sheet is signed by seal only
Format: Chūban, approx. 26 × 19.7 cm
Technique: Colour woodcut on washi
Condition: Excellent
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Why Sōsaku Hanga Deserves Your Attention
The creative print movement grew out of a specific objection. In the traditional system — ukiyo-e in the Edo period, shin-hanga in the twentieth century — a print was made by a chain of specialists: the artist supplied a design, a carver cut the blocks, a printer pulled the impressions, and a publisher commissioned and financed the whole thing and decided what was made. The sōsaku-hanga artists held that the finished sheet under such a system is not fully the artist's: it is the collective product of many participants, filtered through a carver's habits, a printer's judgement and a publisher's commercial calculation, and what reaches the paper is inevitably something other than what the artist saw.
Their answer was jiga, jikoku, jizuri — self-drawn, self-carved, self-printed. The artist takes the knife to the block and pulls the impressions personally, so that every decision from first line to final colour belongs to one person.
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About the Print
A maiko kneels, turned slightly away, holding a small red lacquer hand mirror up in front of her. Her hair is dressed in the wareshinobu style of a junior apprentice and loaded with the seasonal hana-kanzashi that identify her rank in Kyoto: a yellow fan-shaped ornament and a comb at the crown, clustered red and green silk flowers at the side. At her throat is the red han-eri collar spotted white in imitation of kanoko-shibori tie-dye. The kimono is a yellow furisode covered in autumn and winter motifs — chrysanthemums, maple leaves, camellias, white blossoms, pine — with a red under-layer and a long trailing hem pooling out to the right, and it is printed so densely that the figure is essentially a flat sheet of pattern with a face on top.
Seller's Story
Artist: Maekawa Senpan 前川千帆 (1888–1960), born Kyoto as Ishida Shigezaburō
Title: Maiko 舞妓 — "Apprentice Geisha"
Series: Nihon Jozoku-sen 日本女俗選 — "Women's Customs of Japan"
Date: August 1946 (Shōwa 21)
Publisher: Fugaku Shuppansha 富岳出版社, issued under the heading 日本版画協会自刻作品 — "self-carved works of the Japan Print Association"
Seal: Red square artist's seal at lower right, read Han 帆 (from Senpan); the sheet is signed by seal only
Format: Chūban, approx. 26 × 19.7 cm
Technique: Colour woodcut on washi
Condition: Excellent
----------------------------------------------------------------------
Why Sōsaku Hanga Deserves Your Attention
The creative print movement grew out of a specific objection. In the traditional system — ukiyo-e in the Edo period, shin-hanga in the twentieth century — a print was made by a chain of specialists: the artist supplied a design, a carver cut the blocks, a printer pulled the impressions, and a publisher commissioned and financed the whole thing and decided what was made. The sōsaku-hanga artists held that the finished sheet under such a system is not fully the artist's: it is the collective product of many participants, filtered through a carver's habits, a printer's judgement and a publisher's commercial calculation, and what reaches the paper is inevitably something other than what the artist saw.
Their answer was jiga, jikoku, jizuri — self-drawn, self-carved, self-printed. The artist takes the knife to the block and pulls the impressions personally, so that every decision from first line to final colour belongs to one person.
---------------------------------------------------------
About the Print
A maiko kneels, turned slightly away, holding a small red lacquer hand mirror up in front of her. Her hair is dressed in the wareshinobu style of a junior apprentice and loaded with the seasonal hana-kanzashi that identify her rank in Kyoto: a yellow fan-shaped ornament and a comb at the crown, clustered red and green silk flowers at the side. At her throat is the red han-eri collar spotted white in imitation of kanoko-shibori tie-dye. The kimono is a yellow furisode covered in autumn and winter motifs — chrysanthemums, maple leaves, camellias, white blossoms, pine — with a red under-layer and a long trailing hem pooling out to the right, and it is printed so densely that the figure is essentially a flat sheet of pattern with a face on top.

