Annabel Eagles

新規コレクター向け版画&限定エディション

タベレナシリーズの美しい版画2点、番号76と78。版画は芸術的実験であり、ゴヤが生きたスペイン社会の普遍的な愚行とおろかさを糾弾する medium であった。ゴヤはこのシリーズを、「文明社会に見出される無数の欠点と愚行、そして風習・無知・自己利益が常としてしまった一般的な偏見と欺瞞的な慣行から生じるものを描く」と説明している。

2 beautiful prints from Taverna series, numbers 76, 78.
The prints were an artistic experiment: a medium for Goya's condemnation of the universal follies and foolishness in the Spanish society in which he lived. Goya described the series as depicting "the innumerable foibles and follies to be found in any civilized society, and from the common prejudices and deceitful practices which custom, ignorance or self-interest have made usual".

The work was an enlightened, tour-de-force critique of 18th-century Spain, and humanity in general. The informal style, as well as the depiction of contemporary society found in Caprichos, makes them (and Goya himself) a precursor to the modernist movement almost a century later.

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Francisco De Goya (1746-1828) - Taverna No 76, 78

Etching - Not signed - 1939

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Two prints from the Taverna series, numbers 76 and 78, by Francisco de Goya (1746-1828), titled Taverna No 76, 78, not signed, dated 1939, in good condition, each 30 cm high by 22 cm wide, depicting mythology in a Romanticism style, Spain origin, limited edition etching from the 1930s.

Francisco De Goya (1746-1828) - Taverna No 76, 78

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Two prints from the Taverna series, numbers 76 and 78, by Francisco de Goya (1746-1828), titled Taverna No 76, 78, not signed, dated 1939, in good condition, each 30 cm high by 22 cm wide, depicting mythology in a Romanticism style, Spain origin, limited edition etching from the 1930s.

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