Other brand - イヤリング - 18 kt. Yellow gold





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Description from the seller
70年代のイタリア人デザイナー、サベリオ・カヴァッリ。ラディ Gaga も身に着けたイヤリング。18カラットの金、メタクリレート、そして緑・青・水色の彩色石。イタリア 1970年、ノース・イタリアのヴァレンツァ;1922年 – 2012年。「表面、色、光、象徴、物質と時間との連続的な対話」。カヴァッリによれば、これが「芸術の定義」である。著名な金細工職人、画家、彫刻家である彼は、その対話に人生のすべてを捧げた。実験への終わりなき衝動と卓越した職人技が相まって、独特の抑制と比類なき調和を備えた抽象形態を生み出し、20世紀中葉のイタリア美術の特質を映し出した。カヴァッリは人生を「無限の世界が、ある瞬間に生まれるのを待っている」と捉えた。貴金属だけでなく、形、質感、構成にも美を求め、やがて金と宝石を見限り、より自由な調色へと移行した。木材、象牙、黒檀、鉄、アルミニウム、ニッケル、紙、布、プラスチックといった素材を組み合わせたパレットを採用していった。
Seller's Story
70年代のイタリア人デザイナー、サベリオ・カヴァッリ。ラディ Gaga も身に着けたイヤリング。18カラットの金、メタクリレート、そして緑・青・水色の彩色石。イタリア 1970年、ノース・イタリアのヴァレンツァ;1922年 – 2012年。「表面、色、光、象徴、物質と時間との連続的な対話」。カヴァッリによれば、これが「芸術の定義」である。著名な金細工職人、画家、彫刻家である彼は、その対話に人生のすべてを捧げた。実験への終わりなき衝動と卓越した職人技が相まって、独特の抑制と比類なき調和を備えた抽象形態を生み出し、20世紀中葉のイタリア美術の特質を映し出した。カヴァッリは人生を「無限の世界が、ある瞬間に生まれるのを待っている」と捉えた。貴金属だけでなく、形、質感、構成にも美を求め、やがて金と宝石を見限り、より自由な調色へと移行した。木材、象牙、黒檀、鉄、アルミニウム、ニッケル、紙、布、プラスチックといった素材を組み合わせたパレットを採用していった。
Seller's Story
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Catawiki always aims to offer you the best possible buying experience. Our experts virtually review and select every object in line with our submission guidelines. While we strive to provide a detailed description and photographs of each jewellery object, discrepancies or inaccuracies may occur. It is your responsibility to review all of the information provided about an object, including the condition and description, before placing an order. Sellers are responsible for the information, pictures and description provided, including the quality, quantity and nature of the jewelry supplied. A small imperfection that cannot be seen in the photo but is included in the description is not a non-conformity. A Lab Report is not a guarantee, valuation or appraisal regarding the articles described therein. A Lab Report contains only the characteristics of an article described after it has been graded, tested, examined, and analyzed using the techniques and equipment used at the time of the examination from that specific Lab. The results of any other examination performed on the article may differ depending when, how, by whom and with which grading standard the article is examined. In addition, any changes and improvements in techniques and equipment that may have occurred which may enable the examiner to detect, among other things, the use of processes for altering the characteristics of an article which use was previously undetectable, does not automatically mean the object does not conform to its description.

