Jacopo Ligozzi - Mémento Mori - Vanité XVIIème
07
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 | €1,000 | |
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| €500 | |
| €130 | |
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Description from the seller
Jacopo Ligozzi（1547-1627） attributed – Mémento Mori - Vanity, early 17th century
Exceptional and striking Vanity, depicting a male head in a state of decay resting on a Book of Hours, a support for meditation and prayer.
The work belongs to a famous composition associated with Jacopo Ligozzi, a major artist at the Medici court in Florence and an important figure in the emergence of Italian still life at the turn of the 17th century.
At the bottom of the composition, a cartellino bears the Latin inscription: “QUÆ PRIUS ANIMA MEA TANGERE NOLEBAT / NUNC CIBI MEI SUNT” taken from the Book of Job, VI, 7, which can be translated as:
“What my soul once did not even wish to touch is now my food.”
Far from being a simple macabre representation, the work is a genuine meditation on death and salvation.
The decomposed head evokes the inescapable corruption of the body, while the Book of Hours refers to prayer and the passage from earthly life to eternal life.
This composition is documented in several versions.
They mostly derive from a Jacopo Ligozzi prototype belonging to the Lord Aberconway collection at Bodnant, Wales, published by Luigi Salerno and then in the exhibition catalog Jacopo Ligozzi, pittore universalissimo presented in Florence in 2014.
The two macabre still lifes in the Aberconway collection are dated 1604 and constitute emblematic works of this strand of Ligozzi.
The composition is punctuated by details of remarkable evocative power: a fly resting on the forehead directly points to the corruption of the flesh, while a dragonfly, painted in the upper part of the composition and aligned with the gaze, introduces a subtler counterpoint to this meditation on death and the transience of existence.
Several ancient versions of this composition are listed.
They are linked to a Jacopo Ligozzi prototype, dated 1604 and preserved in the Lord Aberconway collection at Bodnant, Wales. This major composition of Ligozzi’s macabre iconography is documented in the literature devoted to the artist. The present work has been examined and authenticated by Cabinet Turquin, Paris, and presented with attribution to Jacopo Ligozzi (1547-1627).
Presented in a frame with undulating moldings, particularly suited to the power of this composition.
The canvas shows a network of craquelure and ancient wear visible, bearing witness to its history. Fidelity of the state presented in the photographs.
Expertise: Cabinet Turquin, Paris.
Attribution: Jacopo Ligozzi (1547-1627).
Memento Mori
Oil on canvas: 30.5 × 25.5 cm
Bibliography of reference
L. Salerno, La natura morta italiana, Rome, Ugo Bozzi Editore, 1984, fig. 9.2, p. 30; Jacopo Ligozzi, pittore universalissimo, exhibition catalog, Florence, 2014, notably fig. 78, p. 218.
Photos are an integral part of the object description and complement its presentation. Please examine them carefully before any commitment.
The object will be carefully packed and shipped with tracking number to ensure quick and secure delivery.
Happy bidding
Seller's Story
The Sanctuary of Curiosities was born from a deep passion for sacred art, devotional objects, and ancient curiosities, witnesses to a rich spiritual and cultural history. Each item offered is the result of meticulous research, carefully sourced across Europe, respecting its authenticity, rarity, and condition.
We are committed to selecting only meaningful objects, with special attention paid to details, materials, and provenance. Our approach is guided by respect for religious heritage and the desire to pass on these fragments of the sacred to passionate collectors, enlightened amateurs, or places of reflection.
Each item is carefully examined, documented, and packaged with the utmost care to ensure a calm, professional, and respectful shopping experience.
Translated by Google TranslateJacopo Ligozzi（1547-1627） attributed – Mémento Mori - Vanity, early 17th century
Exceptional and striking Vanity, depicting a male head in a state of decay resting on a Book of Hours, a support for meditation and prayer.
The work belongs to a famous composition associated with Jacopo Ligozzi, a major artist at the Medici court in Florence and an important figure in the emergence of Italian still life at the turn of the 17th century.
At the bottom of the composition, a cartellino bears the Latin inscription: “QUÆ PRIUS ANIMA MEA TANGERE NOLEBAT / NUNC CIBI MEI SUNT” taken from the Book of Job, VI, 7, which can be translated as:
“What my soul once did not even wish to touch is now my food.”
Far from being a simple macabre representation, the work is a genuine meditation on death and salvation.
The decomposed head evokes the inescapable corruption of the body, while the Book of Hours refers to prayer and the passage from earthly life to eternal life.
This composition is documented in several versions.
They mostly derive from a Jacopo Ligozzi prototype belonging to the Lord Aberconway collection at Bodnant, Wales, published by Luigi Salerno and then in the exhibition catalog Jacopo Ligozzi, pittore universalissimo presented in Florence in 2014.
The two macabre still lifes in the Aberconway collection are dated 1604 and constitute emblematic works of this strand of Ligozzi.
The composition is punctuated by details of remarkable evocative power: a fly resting on the forehead directly points to the corruption of the flesh, while a dragonfly, painted in the upper part of the composition and aligned with the gaze, introduces a subtler counterpoint to this meditation on death and the transience of existence.
Several ancient versions of this composition are listed.
They are linked to a Jacopo Ligozzi prototype, dated 1604 and preserved in the Lord Aberconway collection at Bodnant, Wales. This major composition of Ligozzi’s macabre iconography is documented in the literature devoted to the artist. The present work has been examined and authenticated by Cabinet Turquin, Paris, and presented with attribution to Jacopo Ligozzi (1547-1627).
Presented in a frame with undulating moldings, particularly suited to the power of this composition.
The canvas shows a network of craquelure and ancient wear visible, bearing witness to its history. Fidelity of the state presented in the photographs.
Expertise: Cabinet Turquin, Paris.
Attribution: Jacopo Ligozzi (1547-1627).
Memento Mori
Oil on canvas: 30.5 × 25.5 cm
Bibliography of reference
L. Salerno, La natura morta italiana, Rome, Ugo Bozzi Editore, 1984, fig. 9.2, p. 30; Jacopo Ligozzi, pittore universalissimo, exhibition catalog, Florence, 2014, notably fig. 78, p. 218.
Photos are an integral part of the object description and complement its presentation. Please examine them carefully before any commitment.
The object will be carefully packed and shipped with tracking number to ensure quick and secure delivery.
Happy bidding
Seller's Story
The Sanctuary of Curiosities was born from a deep passion for sacred art, devotional objects, and ancient curiosities, witnesses to a rich spiritual and cultural history. Each item offered is the result of meticulous research, carefully sourced across Europe, respecting its authenticity, rarity, and condition.
We are committed to selecting only meaningful objects, with special attention paid to details, materials, and provenance. Our approach is guided by respect for religious heritage and the desire to pass on these fragments of the sacred to passionate collectors, enlightened amateurs, or places of reflection.
Each item is carefully examined, documented, and packaged with the utmost care to ensure a calm, professional, and respectful shopping experience.
Translated by Google TranslateDetails
アーティスト
Jacopo Ligozzi
フレーム付き
はい'
販売元
Owner or reseller
帰属
Attributed to
作品タイトル
Mémento Mori - Vanité XVIIème
技法
Oil painting
署名
Not signed
原産国
Italy
年
1620
コンディション
Good condition
高さ
25 cm
幅
20 cm
重量
1 g
描写/テーマ
Religion
時代
17th century
Sold by
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The seller was informed by Catawiki about documentation requirements and guarantees the following: - the object was legally obtained, - the seller has the right to sell and/or export the object, as relevant, - the seller will provide the necessary provenance information and arrange required documentation and permits/licenses, as applicable and as per local laws, - the seller will notify the buyer of any delays in obtaining permits/licenses. By bidding, you acknowledge that import documentation may be required depending on your country of residence and that obtaining permits/licenses may cause delays in the delivery of your object.
The seller was informed by Catawiki about documentation requirements and guarantees the following: - the object was legally obtained, - the seller has the right to sell and/or export the object, as relevant, - the seller will provide the necessary provenance information and arrange required documentation and permits/licenses, as applicable and as per local laws, - the seller will notify the buyer of any delays in obtaining permits/licenses. By bidding, you acknowledge that import documentation may be required depending on your country of residence and that obtaining permits/licenses may cause delays in the delivery of your object.
