Inna Etuvgi - THE GYRE

THE GYRE
Inna Etuvgiによる美術写真プリント

"空間を曲げ、すべてを自分の軌道へ引き寄せる力を持つ美しさ"。

giant poppy flowerの改変 macro写真。毎夏、私の庭はこのヒナゲシたちに支配される――蜂、カメラ、あらゆる視線。通り過ぎるのは不可能だ。

* 春コレクションのポートレート

ABOUT THE PRINT:

Type: Original Fine Art Print (Macro Photography)
Image Size: 30 x 37.5 cm
Paper Size: 33 x 41 cm
Paper: Archival Museum-quality paper, 100% cotton, 300gsm
Edition: 2/25
Authenticity: Signed and numbered by the artist; includes a Certificate of Authenticity.
Condition: New, shipped directly from the artist's studio in Sweden.

OPTIONAL — MAT & READY-TO-FRAME PREPARATION

The print ships on its own, unmatted. If you’d like, I can mount it in a passepartout with a backing board so it slips straight into a standard frame. This is an optional paid service — just message me for the price.

I use pH-neutral archival materials and a reversible mount, so the print can always be removed without damage. For this piece (30 × 37.5 cm) the standard mat is 40 × 50 cm, but I can also cut it to fit your frame.

EDITION

This work is presented in a Special Catawiki Edition (30 x 37,5 cm image on 33 x 41 cm paper). The artist's larger-scale Studio and Master Editions are sold through premier online galleries; this size is not available through any gallery or platform. It can only be acquired directly from the artist's studio or through selected auction releases. Produced to the same archival standards as all editions.

ABOUT THE ARTIST

Inna Etuvgi is a Swedish-Chukchi art photographer and digital artist, internationally recognised as an Arte Laguna Prize finalist (Venice) and a recipient of the Swedish Arts Grants Committee grant. Born in a remote Arctic village in Chukotka and trained in technical cybernetics, she began her artistic practice in 2020 and has since exhibited across Europe — in Venice, London, Barcelona, Palermo, and San Marino.

Etuvgi lives with aphantasia — she cannot see images in her mind. Her camera and AI serve as extensions of her visual imagination, allowing her to create what she cannot picture internally. Through macro photography she enters the hidden worlds of mosses, lichens, and dewdrops; through digital art she gives form to psychological states and inner archetypes. Both are rooted in a deep sensitivity shaped by her Chukchi upbringing — an instinct to feel into every living thing.

As art critic Tabish Khan notes: "Her work transports us to other worlds — both real and imaginary, but always in harmony with nature."