Inna Etuvgi - Primavera

PRIMAVERA

“The scent of a changing season.”

Primaveraは、春の最初の息吹のような感覚です――空気が冬の刺すような冷たさを失い、花びらのように柔らかく絹のように滑らかになる瞬間。自然の眠りからの鮮やかな再生と女性的な精神が、長い眠りの後に調和をもって花開くさまを捉えています。

この作品は、私の写真表現のシームレスな進化です。元の写真シリーズ『The Splash of Spring』からテクスチャと色調を“継承”し、デジタルアートのレンズを通じて、現実のチューリップの魂が再生の聖域へと変容します。

変容の美への賛辞であり、自然と同様に私たちも何度でも花開く力を持っているのだという思いを伝えるものです。

ABOUT THE PRINT:

Type: Original Fine Art Print (Macro Photography)
Image Size: 30 x 37,5 cm
Paper Size: 33 x 41 cm
Paper: Archival Museum-quality paper, 100% cotton, 300gsm
Edition: 2/25
Authenticity: Signed and numbered by the artist; includes a Certificate of Authenticity.
Condition: New, shipped directly from the artist's studio in Sweden.

OPTIONAL — MAT & READY-TO-FRAME PREPARATION

The print ships on its own, unmatted. If you’d like, I can mount it in a passepartout with a backing board so it slips straight into a standard frame. This is an optional paid service — just message me for the price.

I use pH-neutral archival materials and a reversible mount, so the print can always be removed without damage. For this piece (30 × 37.5 cm) the standard mat is 40 × 50 cm, but I can also cut it to fit your frame.

EDITION

This work is presented in a Special Catawiki Edition (30 x 37,5 cm image on 33 x 41 cm paper). The artist's larger-scale Studio and Master Editions are sold through premier online galleries; this size is not available through any gallery or platform. It can only be acquired directly from the artist's studio or through selected auction releases. Produced to the same archival standards as all editions.

ABOUT THE ARTIST

Inna Etuvgi is a Swedish-Chukchi art photographer and digital artist, internationally recognised as an Arte Laguna Prize finalist (Venice) and a recipient of the Swedish Arts Grants Committee grant. Born in a remote Arctic village in Chukotka and trained in technical cybernetics, she began her artistic practice in 2020 and has since exhibited across Europe — in Venice, London, Barcelona, Palermo, and San Marino.

Etuvgi lives with aphantasia — she cannot see images in her mind. Her camera and AI serve as extensions of her visual imagination, allowing her to create what she cannot picture internally. Through macro photography she enters the hidden worlds of mosses, lichens, and dewdrops; through digital art she gives form to psychological states and inner archetypes. Both are rooted in a deep sensitivity shaped by her Chukchi upbringing — an instinct to feel into every living thing.

As art critic Tabish Khan notes: "Her work transports us to other worlds — both real and imaginary, but always in harmony with nature."