Yuval Yairi - Topographic Study





€100 |
|---|
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 143362 reviews
Rated Excellent on Trustpilot.
Topographic Study by Yuval Yairi, a 2015 inkjet print on Baryta paper, mounted on Alu-Dibond, 99 cm high and 84 cm wide, original state, edition 2 AP/5 + 2AP, unframed and not signed.
Description from the seller
写真は一度も展示されていません。
アルミディボンドにマウントされた、バライタ紙のインクジェットプリント(額装なし)です。
私はこのアーティストプルーフの2枚目、かつ最後のAP 2/2をミラノのアーティストギャラリー podbielski contemporary から購入しました。添付の真作証明書には画廊の署名とスタンプが押されています。
購入者がロンドン中心部またはオックスフォードシャーにお住まいであれば、私が配送します。
ヤイリの写真技法は、環境を丹念に捉えるプロセスです。彼の作品は写真モザイクのようで、フレーミングして撮影した後、複数の画像を組み合わせて修正することによって作られます。彼は何百もの角度からデジタルコラージュを組み合わせ、現実の別のビジョンを創出します。
この写真は、ヤイリの過酷で憂鬱な時期、砂漠地帯での強制的な兵役中に撮影されました。
ヤイリの作品はイスラエル芸術博物館(エルサレム、2004年); カリフォルニア州サンディエゴ自然史博物館(2007年);中国・重慶の三峡博物館(2008年);イスラエルのテルアビブ美術館(2011年)で展示されています。
彼の作品は世界中の美術館の常設コレクションと民間コレクターの手元にあり、イスラエル美術館、テルアビブ美術館、オランダのリヴナット、イギリスのナガー、ロサンゼルスのバーンマン&ブロックなどにも所蔵されています。」}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}})
写真は一度も展示されていません。
アルミディボンドにマウントされた、バライタ紙のインクジェットプリント(額装なし)です。
私はこのアーティストプルーフの2枚目、かつ最後のAP 2/2をミラノのアーティストギャラリー podbielski contemporary から購入しました。添付の真作証明書には画廊の署名とスタンプが押されています。
購入者がロンドン中心部またはオックスフォードシャーにお住まいであれば、私が配送します。
ヤイリの写真技法は、環境を丹念に捉えるプロセスです。彼の作品は写真モザイクのようで、フレーミングして撮影した後、複数の画像を組み合わせて修正することによって作られます。彼は何百もの角度からデジタルコラージュを組み合わせ、現実の別のビジョンを創出します。
この写真は、ヤイリの過酷で憂鬱な時期、砂漠地帯での強制的な兵役中に撮影されました。
ヤイリの作品はイスラエル芸術博物館(エルサレム、2004年); カリフォルニア州サンディエゴ自然史博物館(2007年);中国・重慶の三峡博物館(2008年);イスラエルのテルアビブ美術館(2011年)で展示されています。
彼の作品は世界中の美術館の常設コレクションと民間コレクターの手元にあり、イスラエル美術館、テルアビブ美術館、オランダのリヴナット、イギリスのナガー、ロサンゼルスのバーンマン&ブロックなどにも所蔵されています。」}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}})

