Nr. 80674893

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Joachim I Von Sandrart (1606-1688) - Melchior Kuessel sic. - Mythology - Minerva - Goddess of Wisdon - 1676
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Joachim I Von Sandrart (1606-1688) - Melchior Kuessel sic. - Mythology - Minerva - Goddess of Wisdon - 1676

Minerva (Etruscan: Menrva) was the Roman goddess of wisdom and strategic warfare and the sponsor of arts, trade, and strategy. From the second century BC onward, the Romans equated her with the Greek goddess Athena, though the Romans did not stress her relation to battle and warfare as the Greeks godess, Melchior Kuessel after Joh. Sandrart Folio engraving used as a title page to Sandrart’s great Teutsche Akademie Published 1676. ORIGINAL in very good overall condition. Small paper fault to top margin causing som creasing. Recent hand colour. Sometimes referred to as the “German Vasari,” Joachim von Sandrart, born in Frankfurt, trained first as a printmaker, notably in Nuremberg, and in Prague with Aegidius Sadeler. After a long and successful career in the foremost artistic circles in England, Italy, and the Netherlands, he returned to Germany and painted for Emperor Ferdinand III, for which he was ennobled in 1673. In the latter part of his life, Sandrart settled in Nuremberg and turned to publishing projects and teaching.

Nr. 80674893

Verkocht
Joachim I Von Sandrart (1606-1688) - Melchior Kuessel sic. - Mythology - Minerva - Goddess of Wisdon - 1676

Joachim I Von Sandrart (1606-1688) - Melchior Kuessel sic. - Mythology - Minerva - Goddess of Wisdon - 1676

Minerva (Etruscan: Menrva) was the Roman goddess of wisdom and strategic warfare and the sponsor of arts, trade, and strategy. From the second century BC onward, the Romans equated her with the Greek goddess Athena, though the Romans did not stress her relation to battle and warfare as the Greeks godess,

Melchior Kuessel after Joh. Sandrart

Folio engraving used as a title page to Sandrart’s great Teutsche Akademie

Published 1676.

ORIGINAL in very good overall condition. Small paper fault to top margin causing som creasing. Recent hand colour.

Sometimes referred to as the “German Vasari,” Joachim von Sandrart, born in Frankfurt, trained first as a printmaker, notably in Nuremberg, and in Prague with Aegidius Sadeler. After a long and successful career in the foremost artistic circles in England, Italy, and the Netherlands, he returned to Germany and painted for Emperor Ferdinand III, for which he was ennobled in 1673. In the latter part of his life, Sandrart settled in Nuremberg and turned to publishing projects and teaching.

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