Nr. 83002041

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Erich Buchholz (1891-1972) - Composition 1920 (two woodcuts)
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Erich Buchholz (1891-1972) - Composition 1920 (two woodcuts)

Woodcut on red tinted paper. Exemplar no. 61 out of an edition of 175 by the estate of the artist. Stamped signature at the lower right: Erich Buchholz Verso stamp and signature by Helena Buchholz-Starck as well as numbered in handwriting: 155/175 The dimensions of the image: 9.8 x 8.82 in ( 24,9 x 22,4 cm ) sheet: 18.9 x 13.66 in ( 48 x 34.7 cm ) Read less Condition / Restauration: mint archival condition Erich Buchholz (1891–1972) was a German artist in painting and printmaking. The original motive of this print is part of the permanent collection of the Museum of Modern Art in New York (Composition 1920). He was a central figure in the development of non-objective or concrete art in Berlin between 1918 and 1924. At the exhibition Constructivism and Suprematism, organized in 1922 by the Van Diemen Gallery in Berlin, he met László Moholy-Nagy, Laszlo Peri, Ernő Kállai, and El Lissitzky, people with whom he kept close contact in the following years.

Nr. 83002041

Ikke lenger tilgjengelig
Erich Buchholz (1891-1972) - Composition 1920 (two woodcuts)

Erich Buchholz (1891-1972) - Composition 1920 (two woodcuts)

Woodcut on red tinted paper. Exemplar no. 61 out of an edition of 175 by the estate of the artist.
Stamped signature at the lower right: Erich Buchholz
Verso stamp and signature by Helena Buchholz-Starck as well as numbered in handwriting: 155/175
The dimensions of the image: 9.8 x 8.82 in ( 24,9 x 22,4 cm )
sheet: 18.9 x 13.66 in ( 48 x 34.7 cm )

Read less
Condition / Restauration:
mint archival condition

Erich Buchholz (1891–1972) was a German artist in painting and printmaking. The original motive of this print is part of the permanent collection of the Museum of Modern Art in New York (Composition 1920).
He was a central figure in the development of non-objective or concrete art in Berlin between 1918 and 1924. At the exhibition Constructivism and Suprematism, organized in 1922 by the Van Diemen Gallery in Berlin, he met László Moholy-Nagy, Laszlo Peri, Ernő Kállai, and El Lissitzky, people with whom he kept close contact in the following years.

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