Nr. 83339955

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Yoko Asakai - Sight - 2011
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Yoko Asakai - Sight - 2011

Sight Yoko Asakai AKAAKA/2011/Japanese/215 × 250 mm New portraits born from the contact point between "seeing" and "being seen Yoko Asakai's first photo book In 2006, Asakai started the "sight" series, a series of photographs of people watching a movie, which won the "9th Photo Premio Special Award" and "Sagamihara Photography Newcomer Encouragement Award" in succession. He has also become a prominent figure through his participation in various group exhibitions, including the "Emerging Japanese Artists Vol. 7 On Your Body" at the Tokyo Metropolitan Museum of Photography. In the "sight" series, Asakai gently releases the shutter when the subject of the photograph has chosen a movie, relaxes at home, and begins to watch a movie, immersed in the movie and unprotected. The photographed subjects' clothing, facial expressions, room interiors, and the film titles and cities that serve as titles allow us to imagine the personalities and daily lives of the subjects. In "sight," shot in nine cities in six countries, Asakai vividly captures the simultaneous progression of "seeing" and "being seen" in the very everyday act of "the subject watching a movie, The momentary scenes taken from the time of a single film are interwoven with the viewer's daily life and the long period of time of his or her own life.

Nr. 83339955

Solgt
Yoko Asakai - Sight - 2011

Yoko Asakai - Sight - 2011

Sight

Yoko Asakai
AKAAKA/2011/Japanese/215 × 250 mm

New portraits born from the contact point between "seeing" and "being seen
Yoko Asakai's first photo book

In 2006, Asakai started the "sight" series, a series of photographs of people watching a movie, which won the "9th Photo Premio Special Award" and "Sagamihara Photography Newcomer Encouragement Award" in succession. He has also become a prominent figure through his participation in various group exhibitions, including the "Emerging Japanese Artists Vol. 7 On Your Body" at the Tokyo Metropolitan Museum of Photography.

In the "sight" series, Asakai gently releases the shutter when the subject of the photograph has chosen a movie, relaxes at home, and begins to watch a movie, immersed in the movie and unprotected. The photographed subjects' clothing, facial expressions, room interiors, and the film titles and cities that serve as titles allow us to imagine the personalities and daily lives of the subjects.

In "sight," shot in nine cities in six countries, Asakai vividly captures the simultaneous progression of "seeing" and "being seen" in the very everyday act of "the subject watching a movie, The momentary scenes taken from the time of a single film are interwoven with the viewer's daily life and the long period of time of his or her own life.

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