Nr. 83421335

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"Utamaro hanga shūhō" 歌麿版画集芳 (Collection of Utamaro's Prints) - 1977 - After Kitagawa Utamaro I (1753-1806) - Published by Takamizawa 高見澤 - Japan
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"Utamaro hanga shūhō" 歌麿版画集芳 (Collection of Utamaro's Prints) - 1977 - After Kitagawa Utamaro I (1753-1806) - Published by Takamizawa 高見澤 - Japan

Woodblock print (reprint), Published by Takamizawa Tadao 高見澤忠雄 (24) - Paper - Woman - After Kitagawa Utamaro I (1753-1806) - From the portfolio 'Utamaro hanga yoshisyuu' 歌麿版画芳集 (Collection of Masterpieces by Utamaro) - Japan - ca 1977(Showa 52 period) Suzuki Harunobu was a Japanese designer of woodblock print artist in the Ukiyo-e style. He was an innovator, the first to produce full-color prints(nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties. Like many artists of his day, Harunobu also produced a number of shunga, or erotic images. During his lifetime and shortly afterwards, many artists imitated his style.A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown. Publisher: Takamizawa Tadao 高見澤忠雄

Nr. 83421335

Solgt
"Utamaro hanga shūhō" 歌麿版画集芳 (Collection of Utamaro's Prints) - 1977 - After Kitagawa Utamaro I (1753-1806) - Published by Takamizawa 高見澤 - Japan

"Utamaro hanga shūhō" 歌麿版画集芳 (Collection of Utamaro's Prints) - 1977 - After Kitagawa Utamaro I (1753-1806) - Published by Takamizawa 高見澤 - Japan

Woodblock print (reprint), Published by Takamizawa Tadao 高見澤忠雄 (24) - Paper - Woman - After Kitagawa Utamaro I (1753-1806) - From the portfolio 'Utamaro hanga yoshisyuu' 歌麿版画芳集 (Collection of Masterpieces by Utamaro) - Japan - ca 1977(Showa 52 period)

Suzuki Harunobu was a Japanese designer of woodblock print artist in the Ukiyo-e style. He was an innovator, the first to produce full-color prints(nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties. Like many artists of his day, Harunobu also produced a number of shunga, or erotic images. During his lifetime and shortly afterwards, many artists imitated his style.A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.

Publisher: Takamizawa Tadao 高見澤忠雄

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