Nr. 84069867

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Romersk antikk Grønn edelsten Intaglio
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€ 100
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Romersk antikk Grønn edelsten Intaglio

A finely carved ancient Roman gemstone intaglio depicting a standing woman wearing a long tunic and holding a staff and an orb. The figure could be a representation of Fortuna (Fortune), Abundantia (Abundance) or Concordia (Harmony). The reverse is highly polished and undecorated. This piece is supplied with a museum-quality impression. The term intaglio refers to a small image that has been engraved into a gemstone and usually set in a piece of jewellery, most commonly a ring. Such artistic form has its origin in Sumer in the 4th millennium BC, with the appearance of cylinder and stamp seals, whereby decorations and patterns were engraved into soft stones. During the Hellenistic period and the early Roman Empire, the art of intaglio reached its apogee, with there being a steady decline in craftsmanship in the late Imperial Rome, until a revival of interest with the Byzantine and during the Renaissance. Measurements: L 1.3cm x W 0.9cm Provenance: From the collection of a Swiss gentleman formed in Europe from 1970-1980s; thence by descent from the family in London.

Nr. 84069867

Solgt
Romersk antikk Grønn edelsten Intaglio

Romersk antikk Grønn edelsten Intaglio

A finely carved ancient Roman gemstone intaglio depicting a standing woman wearing a long tunic and holding a staff and an orb. The figure could be a representation of Fortuna (Fortune), Abundantia (Abundance) or Concordia (Harmony). The reverse is highly polished and undecorated. This piece is supplied with a museum-quality impression.

The term intaglio refers to a small image that has been engraved into a gemstone and usually set in a piece of jewellery, most commonly a ring. Such artistic form has its origin in Sumer in the 4th millennium BC, with the appearance of cylinder and stamp seals, whereby decorations and patterns were engraved into soft stones. During the Hellenistic period and the early Roman Empire, the art of intaglio reached its apogee, with there being a steady decline in craftsmanship in the late Imperial Rome, until a revival of interest with the Byzantine and during the Renaissance.

Measurements: L 1.3cm x W 0.9cm

Provenance: From the collection of a Swiss gentleman formed in Europe from 1970-1980s; thence by descent from the family in London.

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