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William Combe and Thomas Rowlandson - The Tours of Doctor Syntax - 1820
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William Combe and Thomas Rowlandson - The Tours of Doctor Syntax - 1820

[William Combe), The Tour of Doctor Syntax. In Search of the Picturesque. London, n.d. Fifth edition. The Second Tour of Doctor Syntax. In Search of Consolation. London, Ackermann, 1820. The Third Tour of Doctor Syntax. In Search of a Wife. London, Ackermann, n.d. The Tour of Doctor Syntax through London or the Pleasures and Miseries of the Metropolis. A poem. London, Johnston, 1820. Four large octavo, with hand-coloured plates by Rowlandson: 30, 24, 24 and 19 respectively. The binding are in blue calf, nicely done. Title pages of volumes I and 3 are trimmed short at the bottom, and some plates cut short. A very presentable set. An excellent set of Rowlandson's most enduring work. Thomas Rowlandson (1757- 1827) was an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation. A prolific artist and printmaker, Rowlandson produced both individual social and political satires, as well as large number of illustrations for novels, humorous books, and topographical works. Like other caricaturists of his age such as James Gillray, his caricatures are often robust or bawdy. Rowlandson also produced highly explicit erotica for a private clientele; this was never published publicly at the time and is now only found in a small number of collections. His caricatures included those of people in power such as the Duchess of Devonshire, William Pitt the Younger and Napoleon Bonaparte. William Combe (1742-1823) was a British miscellaneous writer chiefly remembered as the author of The Three Tours of Doctor Syntax, a comic poem, illustrated by artist Thomas Rowlandson's colour plates, that satirised William Gilpin. *According to Tooley: "[E]normously popular from the outset Dr. Syntax went into many editions, no less than 2 in 1812, 3 in 1813, others in 1815, 1817, and 2 in 1819". The plates in volume 1 are dated 1815-1819 (the vast majority being dated 1815). (Tooley, 427-429).

Nr. 84098391

Solgt
William Combe and Thomas Rowlandson - The Tours of Doctor Syntax - 1820

William Combe and Thomas Rowlandson - The Tours of Doctor Syntax - 1820

[William Combe), The Tour of Doctor Syntax. In Search of the Picturesque. London, n.d. Fifth edition.

The Second Tour of Doctor Syntax. In Search of Consolation. London, Ackermann, 1820.

The Third Tour of Doctor Syntax. In Search of a Wife. London, Ackermann, n.d.

The Tour of Doctor Syntax through London or the Pleasures and Miseries of the Metropolis. A poem. London,
Johnston, 1820.

Four large octavo, with hand-coloured plates by Rowlandson: 30, 24, 24 and 19 respectively. The binding are in blue calf, nicely done. Title pages of volumes I and 3 are trimmed short at the bottom, and some plates cut short.

A very presentable set.


An excellent set of Rowlandson's most enduring work. Thomas Rowlandson (1757- 1827) was an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation. A prolific artist and printmaker, Rowlandson produced both individual social and political satires, as well as large number of illustrations for novels, humorous books, and topographical works. Like other caricaturists of his age such as James Gillray, his caricatures are often robust or bawdy. Rowlandson also produced highly explicit erotica for a private clientele; this was never published publicly at the time and is now only found in a small number of collections. His caricatures included those of people in power such as the Duchess of Devonshire, William Pitt the Younger and Napoleon Bonaparte. William Combe (1742-1823) was a British miscellaneous writer chiefly remembered as the author of The Three Tours of Doctor Syntax, a comic poem, illustrated by artist Thomas Rowlandson's colour plates, that satirised William Gilpin. *According to Tooley: "[E]normously popular from the outset Dr. Syntax went into many editions, no less than 2 in 1812, 3 in 1813, others in 1815, 1817, and 2 in 1819". The plates in volume 1 are dated 1815-1819 (the vast majority being dated 1815). (Tooley, 427-429).

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