Oryginalny drzeworyt - Papier - Utagawa Yoshimori (1830-1884) - 'Hakone' 箱根 - From the series "Scenes of Famous Places along the Tôkaidô" (Processional Tokaido) - Japonia - ok. 1863 (Bunkyû 3)
Nr 57387577
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Oryginalny drzeworyt - Papier - Utagawa Ichieisai Yoshitsuya (1822-66) - 'Fuji no sha sōma' 藤之社 走馬 (Fujinosha running horse) -(Scenes of Famous Places along the Tôkaidô Road - Japonia - 1863 (Bunkyû 3)
Original woodblock print - Paper - Utagawa Ichieisai Yoshitsuya (1822-66) - 'Fuji no sha sōma' 藤之社 走馬 (Fujinosha running horse) - From the series "Tôkaidô meisho fûkei no uchi" 東海道名所之内 (Scenes of Famous Places along the Tôkaidô Road) (aka Processional Tokaido) - Japan - ca 1863 (Bunkyû 3)
The signature is Ichi Eisai Yoshstuya(一英斎芳艶画)
(memo)
He joined Utagawa school master Kuniyoshi’s studio and become one of the master’s students.Yoshitsuya was active as a disciple of Kuniyoshi.
However, she was buried in the shadows of Yoshitoshi(月岡芳年) and Kuni(落合国幾).However, He was not inferior to my skill as an ukiyo-e artist.
Many of his styles are paintings of warriors, which Kuniyoshi was good at, and myths such as youkai and demons. Sometimes I drew better than Kuniyoshi.
The work exhibited this time also has the characteristics of Utagawa Yoshiiro, and is a picture depicting a tiger attacking a samurai named Kiyomasa Sato.
he took on Utagawa as a surname, and also used the surname Ichi Eisai(一栄斎) and Ichi Eisai(一英斎),as an art name,
Nr 57387577
Sprzedane
Oryginalny drzeworyt - Papier - Utagawa Ichieisai Yoshitsuya (1822-66) - 'Fuji no sha sōma' 藤之社 走馬 (Fujinosha running horse) -(Scenes of Famous Places along the Tôkaidô Road - Japonia - 1863 (Bunkyû 3)
Original woodblock print - Paper - Utagawa Ichieisai Yoshitsuya (1822-66) - 'Fuji no sha sōma' 藤之社 走馬 (Fujinosha running horse) - From the series "Tôkaidô meisho fûkei no uchi" 東海道名所之内 (Scenes of Famous Places along the Tôkaidô Road) (aka Processional Tokaido) - Japan - ca 1863 (Bunkyû 3)
The signature is Ichi Eisai Yoshstuya(一英斎芳艶画)
(memo)
He joined Utagawa school master Kuniyoshi’s studio and become one of the master’s students.Yoshitsuya was active as a disciple of Kuniyoshi.
However, she was buried in the shadows of Yoshitoshi(月岡芳年) and Kuni(落合国幾).However, He was not inferior to my skill as an ukiyo-e artist.
Many of his styles are paintings of warriors, which Kuniyoshi was good at, and myths such as youkai and demons. Sometimes I drew better than Kuniyoshi.
The work exhibited this time also has the characteristics of Utagawa Yoshiiro, and is a picture depicting a tiger attacking a samurai named Kiyomasa Sato.
he took on Utagawa as a surname, and also used the surname Ichi Eisai(一栄斎) and Ichi Eisai(一英斎),as an art name,
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