Minamoto no yoshiie 源義家 from "Kyokun rekishi gakai" 教訓歴史画解 - 1898 - Nakazawa Toshiaki 中沢年章 (1864-1921) - Japão - Período Meiji (1868 - 1912)
N.º 83762335
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Actor Kawarazaki Gonnosuke as Jiraya 児雷也 - From 'A Contest of Powerful Magicians' 豪傑奇術競 - 1873 - Toyohara Kunichika (1835-1900) - Japão - Período Meiji (1868 - 1912)
Good condition.
See: https://commons.wikimedia.org/wiki/File:NDL-DC_1307228-Toyohara_Kunichika-豪傑奇術競_児雷也_河原崎権之介-文久1-crd.jpg
Author:
Toyohara Kunichika (Japanese: 豊原 国周; 30 June 1835 – 1 July 1900) was a Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of yakusha-e, which are woodblock prints of kabuki actors and scenes from popular plays of the time.
An alcoholic and womanizer, Kunichika also portrayed women deemed beautiful (bijinga), contemporary social life, and a few landscapes and historical scenes. He worked successfully in the Edo period, and carried those traditions into the Meiji period. To his contemporaries and now to some modern art historians, this has been seen as a significant achievement during a transitional period of great social and political change in Japan's history.
N.º 83762335
Vendido
Actor Kawarazaki Gonnosuke as Jiraya 児雷也 - From 'A Contest of Powerful Magicians' 豪傑奇術競 - 1873 - Toyohara Kunichika (1835-1900) - Japão - Período Meiji (1868 - 1912)
Good condition.
See: https://commons.wikimedia.org/wiki/File:NDL-DC_1307228-Toyohara_Kunichika-豪傑奇術競_児雷也_河原崎権之介-文久1-crd.jpg
Author:
Toyohara Kunichika (Japanese: 豊原 国周; 30 June 1835 – 1 July 1900) was a Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of yakusha-e, which are woodblock prints of kabuki actors and scenes from popular plays of the time.
An alcoholic and womanizer, Kunichika also portrayed women deemed beautiful (bijinga), contemporary social life, and a few landscapes and historical scenes. He worked successfully in the Edo period, and carried those traditions into the Meiji period. To his contemporaries and now to some modern art historians, this has been seen as a significant achievement during a transitional period of great social and political change in Japan's history.
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