Badert, A.G. - 2 Original drawing - Ici Paris - 1960





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两幅 Albert-Georges Badert(1914–1994)为 Ici Paris 创作的原始新闻插图,1960 年,尺寸 25.5 × 32.5 cm,纸上使用墨水、白色 gouache 和铅笔用于文本,状态良好。
卖家的描述
Original illustrations for the press
Ink, white gouache and graphite for texts and annotations
Signed and stamped on the back for some (Ici Paris)
25.5 x 32.5 cm
Albert-Georges Badert (1914–1994)
Born in 1914, Albert-Georges Badert belongs to the generation of artists who shaped popular pre-war French comics. His meeting at 17 with Louis Forton, creator of Pieds-Nickelés, was decisive. Encouraged by the master, he entered the Offenstadt circle and began publishing in the major illustrated newspapers of the era.
His early works, such as Les Aventures de Dodoche et Tatave in L’Épatant or La Famille Alacoque in L’As, attest to a lively humor and an elegant line, rooted in the French satirical tradition. In 1939, he briefly took up Pieds-Nickelés again, offering a more polished version of the famous heroes, less rascals and more gentlemen, reflecting a unique graphic sensibility.
The war interrupts this trajectory. Badert then works as an illustrator for Radio Nationale and for the newspaper L’Alerte. After 1945, René Pellos definitively resumes Les Pieds-Nickelés, but Badert pursues a prolific career in humorous illustration in the press, where his line remains lively and clear.
Died in 1994, he left an essential body of work, a milestone in the history of Pieds-Nickelés and a witness to the evolution of French comics between the pre-war and post-war periods.
Original illustrations for the press
Ink, white gouache and graphite for texts and annotations
Signed and stamped on the back for some (Ici Paris)
25.5 x 32.5 cm
Albert-Georges Badert (1914–1994)
Born in 1914, Albert-Georges Badert belongs to the generation of artists who shaped popular pre-war French comics. His meeting at 17 with Louis Forton, creator of Pieds-Nickelés, was decisive. Encouraged by the master, he entered the Offenstadt circle and began publishing in the major illustrated newspapers of the era.
His early works, such as Les Aventures de Dodoche et Tatave in L’Épatant or La Famille Alacoque in L’As, attest to a lively humor and an elegant line, rooted in the French satirical tradition. In 1939, he briefly took up Pieds-Nickelés again, offering a more polished version of the famous heroes, less rascals and more gentlemen, reflecting a unique graphic sensibility.
The war interrupts this trajectory. Badert then works as an illustrator for Radio Nationale and for the newspaper L’Alerte. After 1945, René Pellos definitively resumes Les Pieds-Nickelés, but Badert pursues a prolific career in humorous illustration in the press, where his line remains lively and clear.
Died in 1994, he left an essential body of work, a milestone in the history of Pieds-Nickelés and a witness to the evolution of French comics between the pre-war and post-war periods.

