一个木制面具 - Kulango - 象牙海岸 (没有保留价)





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来自科特迪瓦Bondoukou地区 Kulango族的木质面具,标题“A wooden mask”,高34 cm,重9.1 kg,附底座出售,状况一般。
卖家的描述
A Kulango mask, Bondoukou region, Côte d’Ivoire, remains of red pigments, highlighting the cheeks, perforations at the perimeter with raffia strings; darkened patina, achieved through handling, libation, and sacrificial application. Incl stand.
This mask originates from the Kulango (Koulango) communities of northeastern Côte d’Ivoire, particularly the Bondoukou region, an area historically situated at the crossroads of savanna trade networks linking Akan, Gur, and Mande-speaking peoples. Kulango masking traditions reflect this intercultural milieu while maintaining distinct formal and ritual characteristics.
Carved from a single block of lightweight wood, the mask typically presents an elongated or oval face with restrained yet expressive features.
Kulango masks function within a complex ritual framework tied to initiation cycles, community protection, and moral regulation. Appearing during funerary rites, agricultural festivals, and moments of social tension, the masked performer mediates between ancestral forces and the living community. Performance elements—dance, drumming, and chant—activate the mask’s spiritual potency; its aesthetic qualities are inseparable from movement and sound.
Stylistically, Kulango masks may show affinities with neighboring Akan and Senufo carving traditions, yet they retain a distinctive sobriety of expression and emphasis on balanced proportion. Rather than naturalistic portraiture, the sculptural intent privileges idealized features that communicate composure, authority, and spiritual containment.
CAB34411
卖家故事
使用Google翻译翻译A Kulango mask, Bondoukou region, Côte d’Ivoire, remains of red pigments, highlighting the cheeks, perforations at the perimeter with raffia strings; darkened patina, achieved through handling, libation, and sacrificial application. Incl stand.
This mask originates from the Kulango (Koulango) communities of northeastern Côte d’Ivoire, particularly the Bondoukou region, an area historically situated at the crossroads of savanna trade networks linking Akan, Gur, and Mande-speaking peoples. Kulango masking traditions reflect this intercultural milieu while maintaining distinct formal and ritual characteristics.
Carved from a single block of lightweight wood, the mask typically presents an elongated or oval face with restrained yet expressive features.
Kulango masks function within a complex ritual framework tied to initiation cycles, community protection, and moral regulation. Appearing during funerary rites, agricultural festivals, and moments of social tension, the masked performer mediates between ancestral forces and the living community. Performance elements—dance, drumming, and chant—activate the mask’s spiritual potency; its aesthetic qualities are inseparable from movement and sound.
Stylistically, Kulango masks may show affinities with neighboring Akan and Senufo carving traditions, yet they retain a distinctive sobriety of expression and emphasis on balanced proportion. Rather than naturalistic portraiture, the sculptural intent privileges idealized features that communicate composure, authority, and spiritual containment.
CAB34411
卖家故事
使用Google翻译翻译详细资料
Rechtliche Informationen des Verkäufers
- Unternehmen:
- Jaenicke Njoya GmbH
- Repräsentant:
- Wolfgang Jaenicke
- Adresse:
- Jaenicke Njoya GmbH
Klausenerplatz 7
14059 Berlin
GERMANY - Telefonnummer:
- +493033951033
- Email:
- w.jaenicke@jaenicke-njoya.com
- USt-IdNr.:
- DE241193499
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