Pablo Picasso (after) - Las señoritas de Aviñon - 1980s





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高质量厚纸240 g艺术平版印刷,尺寸70×50 cm,题为 Las señoritas de Aviñon,基于毕加索1907年的画作,1980年代在西班牙制作,状态极好。
卖家的描述
Author: Pablo Picasso
Title: Las señoritas de Aviñon
Date of painting 1907
Size: 70 x 50 cm
Fine art offset print made on thick 240g, high-quality paper. Displays a vivid and sharp image.
Copyright: Nº 313 SGAE - SPADEM. Paris 1982. Printed in Barcelona
New to frame.
Shipping in a rigid tube via certified express mail.
It is possible to collect more than one object, from the same auction, in the same shipment.
Les Demoiselles d’Avignon ,was painted in 1907 and can be considered the first Cubist painting. A year later, Cubism would develop into a legendary movement under the guide of Picasso and Georges Braque.
Picasso had always referred to it as Le Bordel d'Avignon, but art critic Andre Salmon, who managed its first exhibition, renamed it Les Demoiselles d'Avignon to reduce its outrageous effect on general society. Picasso never liked Salmon's title, and as a compromise would have preferred “Las chicas de Avignon” instead.
The work, part of the permanent collection of the Museum of Modern Art, portrays five nude female prostitutes in a brothel on Carrer d'Avinyó, a street in Barcelona, Spain.
Author: Pablo Picasso
Title: Las señoritas de Aviñon
Date of painting 1907
Size: 70 x 50 cm
Fine art offset print made on thick 240g, high-quality paper. Displays a vivid and sharp image.
Copyright: Nº 313 SGAE - SPADEM. Paris 1982. Printed in Barcelona
New to frame.
Shipping in a rigid tube via certified express mail.
It is possible to collect more than one object, from the same auction, in the same shipment.
Les Demoiselles d’Avignon ,was painted in 1907 and can be considered the first Cubist painting. A year later, Cubism would develop into a legendary movement under the guide of Picasso and Georges Braque.
Picasso had always referred to it as Le Bordel d'Avignon, but art critic Andre Salmon, who managed its first exhibition, renamed it Les Demoiselles d'Avignon to reduce its outrageous effect on general society. Picasso never liked Salmon's title, and as a compromise would have preferred “Las chicas de Avignon” instead.
The work, part of the permanent collection of the Museum of Modern Art, portrays five nude female prostitutes in a brothel on Carrer d'Avinyó, a street in Barcelona, Spain.

