StefanoArt - Tuscan Bloom Trail





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StefanoArt 原创油画作品《Tuscan Bloom Trail》(2026),印象派风景,70 × 140 × 2.5 cm,约5 kg,手签,裱于木框上,附证明真迹证书 COA,直接由艺术家出售,状况极好。
卖家的描述
尺寸:70 × 140 × 2.5 cm(高×宽×深)
Stretched on wood and ready to hang!
- 100% 手绘;独一无二的作品
- 高级画布上的专业油画
- 不含框架(边缘已完成)
- 画家在背面签名
- 附带真迹证书(COA)
- 通过意大利快递保价运输
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About Stefano:
Stefano is an Italian contemporary artist whose signature palette-knife impasto fuses impression with abstraction, drawing modern landscape into the realm of feeling. Working in layered oils, he builds terrains of light and texture where color, movement, and emotion collide—ridges catch the sun, scraped passages breathe, and horizons are implied rather than described.
Born in Milan and now based in a small town in the countryside, he draws equally on urban momentum and rural quiet. His process is physical and rhythmic: mixing dense pigments, laying and lifting paint, and letting the knife score and glide so that time remains inscribed on the surface. City lines loosen into gesture; meadows turn into chromatic tides.
Stefano’s canvases open a conversation between reality and imagination, between memory and place. He turns recollection into motion and places into sensation, inviting viewers to linger, wander, and recognize themselves in the shifting distance.
卖家故事
尺寸:70 × 140 × 2.5 cm(高×宽×深)
Stretched on wood and ready to hang!
- 100% 手绘;独一无二的作品
- 高级画布上的专业油画
- 不含框架(边缘已完成)
- 画家在背面签名
- 附带真迹证书(COA)
- 通过意大利快递保价运输
***Important Shipping Info***
All lots ship via Catawiki Smart Shipping. Please confirm your address before paying; if you need to update it afterward, contact Catawiki directly.
About Stefano:
Stefano is an Italian contemporary artist whose signature palette-knife impasto fuses impression with abstraction, drawing modern landscape into the realm of feeling. Working in layered oils, he builds terrains of light and texture where color, movement, and emotion collide—ridges catch the sun, scraped passages breathe, and horizons are implied rather than described.
Born in Milan and now based in a small town in the countryside, he draws equally on urban momentum and rural quiet. His process is physical and rhythmic: mixing dense pigments, laying and lifting paint, and letting the knife score and glide so that time remains inscribed on the surface. City lines loosen into gesture; meadows turn into chromatic tides.
Stefano’s canvases open a conversation between reality and imagination, between memory and place. He turns recollection into motion and places into sensation, inviting viewers to linger, wander, and recognize themselves in the shifting distance.

