Kakewake Ash Glaze Jar(分隔灰釉罐) - 陶瓷 - 木村盛和 Kimura Morikazu (1921-2015) - 日本 - 1900–2000

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卖家的描述

distinguished ash glaze jar with divided application by Morikazu Kimura Kimura Morikazu (1921-2015), a master ceramist renowned as Japan's foremost authority on temmoku (iron) glazes.

This refined jar exemplifies Kimura's expertise in ash glaze techniques, featuring the artist's signature kakewake (divided glaze application) method.

The jar stands 24 cm tall with a beautifully balanced form that showcases Kimura's mastery of both throwing and glaze chemistry.

The kakewake technique creates a striking visual effect where two different ash glazes meet and interact on the vessel's surface, producing subtle variations in color and texture that could only result from Kimura's deep understanding of glaze behavior during firing.

Kimura devoted his life to researching iron-based glazes, particularly temmoku, beginning his ceramic career at the National Ceramics Testing Institute in 1937 where he conducted fundamental research on iron glazes and clay bodies.

This scientific approach, combined with his artistic sensibility, allowed him to create works of exceptional technical and aesthetic quality.

While Kimura is most celebrated for his groundbreaking work with oil-spot temmoku and his successful recreation of the rare konoha temmoku (leaf temmoku), this ash glaze jar demonstrates his versatility and command of traditional Japanese glazing techniques.

The warm, earthy tones of the ash glazes reflect the natural beauty that Kimura consistently sought in his work.

The piece comes with tomobako (original signed wooden box), confirming its authenticity.

In excellent condition with no damage, this jar represents an important example of Kimura's exploration of ash glazes beyond his celebrated temmoku works.


Size
Height: 24 cm
Width: 20 cm
Depth: 20 cm
Weight: 3,017 g / 3.017 kg


Condition
The piece is in excellent condition with no visible damage or repairs. The glaze surface shows the natural variations characteristic of ash glaze firing.


Artist Profile
Morikazu Kimura Kimura Morikazu (1921-2015) was born in Kyoto's Gojozaka district, the traditional heart of Kyo-yaki pottery. In 1937, he joined the National Ceramics Testing Institute as a researcher, dedicating himself to fundamental research on iron glazes (temmoku) and clay bodies.
In 1946, Kimura established his pottery practice in Kyoto's Gojozaka and began his lifelong research into temmoku glazes. His work was deeply influenced by his fascination with the 800-year-old oil-spot temmoku tea bowls created during China's Song Dynasty. He traveled extensively throughout Japan, visiting mines and collecting minerals and stones from which he created his distinctive glazes.
Kimura was instrumental in founding the Japan Kōgei Association alongside luminaries like Ishiguro Munemaro and Uno Mitsuo, and exhibited regularly at the Japan Traditional Crafts Exhibition from 1956 to 1976. In 1964, his work received both the Japan Traditional Crafts Exhibition Excellence Award and the Japan Ceramic Society Prize, with the award-winning piece acquired by the National Museum of Modern Art.
In 1969, he had the honor of creating two oil-spot temmoku vases for the new Imperial Palace. In 1976, he relocated to Asahi Town in Fukui Prefecture, establishing the Ogurami Kiln where he continued his research and creative work.
Kimura successfully recreated the legendary konoha temmoku technique and developed innovative crystal glazes using crushed gemstones including emerald and ruby. He received numerous honors including the Fukui Prefecture Cultural Prize (1986), Kyoto Prefecture Cultural Merit Prize (2005), and held commemorative exhibitions at major department stores to mark significant birthdays. He continued creating until his death in 2015 at age 94.


NOITICE:

The lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.
It takes about 3 weeks to receive normally.
Import duties, taxes, and charges are not included in the item price or shipping cost.
These charges are the buyer's responsibility.

Sometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.

I appreciate your cooperation.

卖家故事

我们从事古董商行业已有十多年,从日本各地精选和购买优质商品。无论名品还是非名品,我都会精心挑选有品味的商品。为您提供与未知的日本商品的邂逅。 业主简介 姓名:長広道人 1986年出生于北海道札幌。从小我就对日本艺术、古董和消费品的精美实用设计以及工匠和艺术家的心态和奉献精神着迷。我经常参观博物馆和个人展览,这已经成为我日常生活的一部分。 2012 年,在一位业内顶尖导师的指导下,我成为了一名古董商,经营范围广泛,包括日本古董和艺术品。自 2017 年以来,我专注于销售日本古董和美术品,主要销往欧洲,迄今为止已成功销售了 20,000 多件。 2019 年,我推出了一项完全免费的服务,为日本感到孤独的人提供支持。这项计划包括亲自拜访、交谈、共进晚餐,并在必要时提供职业建议。每年有 1,000 多人向我寻求支持。 此外,我还致力于推广和支持那些作品尚未得到公众认可的新兴艺术家的销售。我的理念不仅仅是销售物品——我努力传达每件作品中蕴含的故事、历史和情感。通过这样做,我的目标是让人们了解艺术家的生活,并为那些接触他们作品的人带来灵感。
使用Google翻译翻译

distinguished ash glaze jar with divided application by Morikazu Kimura Kimura Morikazu (1921-2015), a master ceramist renowned as Japan's foremost authority on temmoku (iron) glazes.

This refined jar exemplifies Kimura's expertise in ash glaze techniques, featuring the artist's signature kakewake (divided glaze application) method.

The jar stands 24 cm tall with a beautifully balanced form that showcases Kimura's mastery of both throwing and glaze chemistry.

The kakewake technique creates a striking visual effect where two different ash glazes meet and interact on the vessel's surface, producing subtle variations in color and texture that could only result from Kimura's deep understanding of glaze behavior during firing.

Kimura devoted his life to researching iron-based glazes, particularly temmoku, beginning his ceramic career at the National Ceramics Testing Institute in 1937 where he conducted fundamental research on iron glazes and clay bodies.

This scientific approach, combined with his artistic sensibility, allowed him to create works of exceptional technical and aesthetic quality.

While Kimura is most celebrated for his groundbreaking work with oil-spot temmoku and his successful recreation of the rare konoha temmoku (leaf temmoku), this ash glaze jar demonstrates his versatility and command of traditional Japanese glazing techniques.

The warm, earthy tones of the ash glazes reflect the natural beauty that Kimura consistently sought in his work.

The piece comes with tomobako (original signed wooden box), confirming its authenticity.

In excellent condition with no damage, this jar represents an important example of Kimura's exploration of ash glazes beyond his celebrated temmoku works.


Size
Height: 24 cm
Width: 20 cm
Depth: 20 cm
Weight: 3,017 g / 3.017 kg


Condition
The piece is in excellent condition with no visible damage or repairs. The glaze surface shows the natural variations characteristic of ash glaze firing.


Artist Profile
Morikazu Kimura Kimura Morikazu (1921-2015) was born in Kyoto's Gojozaka district, the traditional heart of Kyo-yaki pottery. In 1937, he joined the National Ceramics Testing Institute as a researcher, dedicating himself to fundamental research on iron glazes (temmoku) and clay bodies.
In 1946, Kimura established his pottery practice in Kyoto's Gojozaka and began his lifelong research into temmoku glazes. His work was deeply influenced by his fascination with the 800-year-old oil-spot temmoku tea bowls created during China's Song Dynasty. He traveled extensively throughout Japan, visiting mines and collecting minerals and stones from which he created his distinctive glazes.
Kimura was instrumental in founding the Japan Kōgei Association alongside luminaries like Ishiguro Munemaro and Uno Mitsuo, and exhibited regularly at the Japan Traditional Crafts Exhibition from 1956 to 1976. In 1964, his work received both the Japan Traditional Crafts Exhibition Excellence Award and the Japan Ceramic Society Prize, with the award-winning piece acquired by the National Museum of Modern Art.
In 1969, he had the honor of creating two oil-spot temmoku vases for the new Imperial Palace. In 1976, he relocated to Asahi Town in Fukui Prefecture, establishing the Ogurami Kiln where he continued his research and creative work.
Kimura successfully recreated the legendary konoha temmoku technique and developed innovative crystal glazes using crushed gemstones including emerald and ruby. He received numerous honors including the Fukui Prefecture Cultural Prize (1986), Kyoto Prefecture Cultural Merit Prize (2005), and held commemorative exhibitions at major department stores to mark significant birthdays. He continued creating until his death in 2015 at age 94.


NOITICE:

The lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation.
It takes about 3 weeks to receive normally.
Import duties, taxes, and charges are not included in the item price or shipping cost.
These charges are the buyer's responsibility.

Sometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping.

I appreciate your cooperation.

卖家故事

我们从事古董商行业已有十多年,从日本各地精选和购买优质商品。无论名品还是非名品,我都会精心挑选有品味的商品。为您提供与未知的日本商品的邂逅。 业主简介 姓名:長広道人 1986年出生于北海道札幌。从小我就对日本艺术、古董和消费品的精美实用设计以及工匠和艺术家的心态和奉献精神着迷。我经常参观博物馆和个人展览,这已经成为我日常生活的一部分。 2012 年,在一位业内顶尖导师的指导下,我成为了一名古董商,经营范围广泛,包括日本古董和艺术品。自 2017 年以来,我专注于销售日本古董和美术品,主要销往欧洲,迄今为止已成功销售了 20,000 多件。 2019 年,我推出了一项完全免费的服务,为日本感到孤独的人提供支持。这项计划包括亲自拜访、交谈、共进晚餐,并在必要时提供职业建议。每年有 1,000 多人向我寻求支持。 此外,我还致力于推广和支持那些作品尚未得到公众认可的新兴艺术家的销售。我的理念不仅仅是销售物品——我努力传达每件作品中蕴含的故事、历史和情感。通过这样做,我的目标是让人们了解艺术家的生活,并为那些接触他们作品的人带来灵感。
使用Google翻译翻译

详细资料

王朝风格/时期
1900-2000
艺术家
木村盛和 Kimura Morikazu (1921-2015)
原产国
日本
材质
陶瓷
Height
24 cm
Width
20 cm
艺术品标题
Kakewake Ash Glaze Jar (Divided Ash Glaze Jar)
Depth
20 cm
Condition
良好状态
日本经验证
4972
已售出的几件物品
98,33%
protop

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