后罗马时期/拜占庭早期 Terracotta 带熊的油灯。长14厘米。公元4世纪至6世纪。





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带熊图案的油灯,陶土制,晚罗马/早期拜占庭时期(公元4–6世纪),长14 cm,宽9 cm,状况良好,原始/官方认证,来自法国私人收藏。
卖家的描述
Oil Lamp with a bear
晚期罗马帝国,公元4–6世纪
陶器
长约14 cm,宽约9 cm
来源:私人收藏,法国,1970–1980 年。购自法国艺术市场。
状态:良好,完好,请参阅照片。
terracotta lamps, commonly known as “lucernas,” were an essential element of daily life in the Roman Empire. These small oil lamps provided light in homes, workshops, temples, and public spaces. Made primarily from terracotta, a type of fired clay, they were relatively inexpensive to produce and widely accessible across different social classes. Their practicality, combined with artistic decoration, made them both functional and decorative objects in Roman material culture.
Roman terracotta lamps were typically made using molds, a technique that allowed artisans to reproduce the same design many times. The process involved pressing clay into a two-part mold, which formed the upper and lower sections of the lamp. After drying, the two halves were joined together, leaving a central hole at the top for pouring oil and a small nozzle where the wick would be placed. Once assembled, the lamp was fired in a kiln to harden the clay.
One of the most distinctive features of these lamps is their relief decoration. The upper surface, known as the discus, often displayed detailed scenes created directly in the mold. These relief images could represent mythological figures, gods and goddesses, animals, gladiatorial combats, theatrical masks, or everyday activities. Some lamps also depicted symbols associated with religion or protection, reflecting the beliefs and cultural values of Roman society.
The relief decoration served several purposes. It enhanced the aesthetic appeal of the lamp, but it could also communicate messages about identity, status, or personal devotion. For example, a lamp showing a deity might indicate the owner’s religious preferences, while scenes of gladiators could reflect the popularity of public spectacles.
Archaeological discoveries across the Roman world—from Italy to Hispania, North Africa, and the Near East—demonstrate the widespread use of these lamps. Their standardized forms and decorative motifs also help archaeologists date archaeological contexts and understand patterns of trade and cultural exchange within the empire.
Thus, terracotta lamps with relief decoration illustrate how everyday Roman objects combined utility, artistic expression, and cultural meaning.
卖家故事
Oil Lamp with a bear
晚期罗马帝国,公元4–6世纪
陶器
长约14 cm,宽约9 cm
来源:私人收藏,法国,1970–1980 年。购自法国艺术市场。
状态:良好,完好,请参阅照片。
terracotta lamps, commonly known as “lucernas,” were an essential element of daily life in the Roman Empire. These small oil lamps provided light in homes, workshops, temples, and public spaces. Made primarily from terracotta, a type of fired clay, they were relatively inexpensive to produce and widely accessible across different social classes. Their practicality, combined with artistic decoration, made them both functional and decorative objects in Roman material culture.
Roman terracotta lamps were typically made using molds, a technique that allowed artisans to reproduce the same design many times. The process involved pressing clay into a two-part mold, which formed the upper and lower sections of the lamp. After drying, the two halves were joined together, leaving a central hole at the top for pouring oil and a small nozzle where the wick would be placed. Once assembled, the lamp was fired in a kiln to harden the clay.
One of the most distinctive features of these lamps is their relief decoration. The upper surface, known as the discus, often displayed detailed scenes created directly in the mold. These relief images could represent mythological figures, gods and goddesses, animals, gladiatorial combats, theatrical masks, or everyday activities. Some lamps also depicted symbols associated with religion or protection, reflecting the beliefs and cultural values of Roman society.
The relief decoration served several purposes. It enhanced the aesthetic appeal of the lamp, but it could also communicate messages about identity, status, or personal devotion. For example, a lamp showing a deity might indicate the owner’s religious preferences, while scenes of gladiators could reflect the popularity of public spectacles.
Archaeological discoveries across the Roman world—from Italy to Hispania, North Africa, and the Near East—demonstrate the widespread use of these lamps. Their standardized forms and decorative motifs also help archaeologists date archaeological contexts and understand patterns of trade and cultural exchange within the empire.
Thus, terracotta lamps with relief decoration illustrate how everyday Roman objects combined utility, artistic expression, and cultural meaning.
卖家故事
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卖家已就文件要求收到了Catawiki的通知并保证以下内容: - 该物品是合法获得的, - 卖家有权出售和/或出口该物品(如适用), - 卖家将提供必要的出处或来源地信息,并根据当地法律安排所需的文件和许可证/执照, - 如果在获取许可证/执照方面出现任何延误,卖家将通知买家。 出价竞投,表明您知晓根据您居住的国家和地区可能会被需要提供进口文件,以及获得许可证/执照可能会导致物品交付的延迟。

