Inna Etuvgi - Time Distortion

TIME DISTORTION
fine art print by Inna Etuvgi

“That very feeling familiar to many — the wish to shift the deadline…”


EDITION:

This work is presented in a Special Collector’s Configuration (30 x 30 cm image on 33x34 cm paper).

While the artist’s larger-scale Master Editions are represented in premier online galleries, this specific size belongs to a curated series created to make museum-grade photography accessible for versatile interior spaces. Produced to the highest archival standards, this configuration is available exclusively through the artist’s studio or via selected auction releases. It is not offered through other galleries or platforms in this size.


PRINT DETAILS:

* Medium: Museum-quality Giclée print.
* Paper: Archival Quality Fine Art paper (300 gsm), 100% cotton, acid-free.
* Edition: Limited edition of 25.
* Authenticity: Hand-signed and numbered by the artist. Includes a signed Certificate of Authenticity (COA).
* Production: Printed under the artist's direct supervision to ensure archival standards and impeccable color accuracy.
* Dimensions: Image size 30 x 30 cm; total paper size 33 x 34 cm.


ABOUT THE ARTIST

Inna Etuvgi is a Swedish-Chukchi art photographer and digital artist, internationally recognised as an Arte Laguna Prize finalist (Venice) and a recipient of the Swedish Arts Grants Committee grant. Born in a remote Arctic village in Chukotka and trained in technical cybernetics, she began her artistic practice in 2020 and has since exhibited across Europe — in Venice, London, Barcelona, Palermo, and San Marino.

Etuvgi lives with aphantasia — she cannot see images in her mind. Her camera and AI serve as extensions of her visual imagination, allowing her to create what she cannot picture internally. Through macro photography she enters the hidden worlds of mosses, lichens, and dewdrops; through digital art she gives form to psychological states and inner archetypes. Both are rooted in a deep sensitivity shaped by her Chukchi upbringing — an instinct to feel into every living thing.

As art critic Tabish Khan notes: "Her work transports us to other worlds — both real and imaginary, but always in harmony with nature."