Sören Schuhmacher

艺术与摄影书籍拍卖（情色）

由日本当代摄影大师之一的荒木 nobuyoshi 阿木（应为 Nobuyoshi Araki）拍摄的摄影集，标题为“Polaevacy”。这是荒木首次收录的宝丽来（Polaroid）作品集，出版于2000年。从迄今为止近2000幅作品中精选出大量宝丽来照片。From nudes, kimonos, and bondage to Naoto Takenaka, Miho Nakayama, Chiro, still life, and the streets, this book is full of Araki's colors. 这本书充满荒木的色彩。书末与摄影批评家饭沢耕太郎的讨论也值得阅读，并用关键词概括了荒木对宝丽来照片魅力的看法。书中的关键词是“长不大的相机”、“秘密的气味、危险的气味”、“让一切‘现在’”以及“女人与生活应该被拍成方形看待”。荒木的评论如下：“我常把它称作‘oita’，但 Pola 有一种‘oita’的意味（顽皮）。确实有一种顽皮的感觉，对吧？那是一种类似于儿童或少年的愉悦感。Pola 不能长大。这就是它为何适合‘Oita’。当我拍摄它们时，我会兴奋。”

Polaevacy

Shobunsha  
Nobuyoshi Araki/2000/Japanese/155*218*15

A collection of photographs by Nobuyoshi Araki, one of Japan's leading contemporary photographers, entitled “Polaevacy. This is Araki's first collection of Polaroid works, published in 2000. A large number of Polaroids were selected from nearly 2,000 illustrations taken up to that point. From nudes, kimonos, and bondage to Naoto Takenaka, Miho Nakayama, Chiro, still life, and the streets, this book is full of Araki's colors. The discussion with photography critic Kotaro Iizawa at the end of the book is also worth reading, and summarizes Araki's thoughts on the appeal of Polaroids using keywords. The key words in the book are “the camera that can't grow up,” “secret smells, dangerous smells,” “making everything ‘now’” and “women and life should be photographed as if they were squares. Araki's comments are as follows: “I often call it ‘oita,’ but Pola has a sense of ‘oita’ (mischievousness). There is a sense of mischievousness, isn't there? There is a sense of pleasure that is similar to that of a child or a boy. Polla can't grow up. That's why it's perfect for “Oita. I get excited when I'm filming them.

Nobuyoshi Araki - Polaevacy - 2000

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