Sören Schuhmacher

情色摄影大师拍卖

《Derrières》
让-吕克·西夫
KYOTO SHOIN/1994/japanese/330*250*20

《Derrières》是法国巴黎出生的摄影师让-吕克·西夫所著的一本照片集。西夫以自由记者身份在新闻摄影领域成名，曾是 Magnum Photos 的成员，虽然在1958年离开该社。此后，为寻求更大的创作自由，他主要担任时尚摄影师，为《Harper’s Bazaar》《Vogue》等刊物工作。词条“Derrières”字面意思为“臀部/背部”，在他亲自撰写的序言中，他表达了对这个标题可能引起某种误解的担忧，但他表示，这不是所说的“脸庞”（总是被随意拍摄的对象），而是通常被遮蔽、隐藏的“背部”，其具有雕塑性、智性和精神美。他还说：“作为人体结构的一个组成部分，穹顶般的圆拱与优雅的罗曼式曲线一起，唤起了掌管原始纸张祭祀仪式的女神。正是这些臀部，我希望永远封存起来，以免时光最终吞噬它们的美丽。”文本为日文。

Derrieres

Jeanloup Sieff
KYOTO SHOIN/1994/japanese/330*250*20

“Derrières” is a photo book by Jean-Luc Sieff, a photographer born in Paris, France. Sieff made a name for himself in the field of photojournalism as a freelance journalist and was a member of Magnum Photos, though he left the agency in 1958. Thereafter, seeking greater creative freedom, he worked primarily as a fashion photographer for publications such as Harper’s Bazaar and Vogue. “Derrières” literally translates to “backsides.” In the preface he wrote himself, he expresses concern that this title might lead to a certain misunderstanding, but he states that it is not the ‘face’—which is always casually photographed—but rather the “backside,” which is usually protected and shrouded in secrecy, that possesses sculptural, intellectual, and spiritual beauty. He also says: “As a structural element of the body’s architecture, the dome—with its graceful Romanesque curves—evokes the goddess presiding over the rites of the original paper. It is precisely these buttocks that I wish to seal away forever, before time eventually destroys their beauty.” Text is in Japanese.

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Jeanloup Sieff - Derrieres - 1994

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